The Pigment Compendium Dictionary is a comprehensive information source for scientists, art historians, conservators and forensic specialists. Drawn together from extensive analystical research into the physical and chemical properties of pigments, this essential reference to pigment names and synonyms describes the inter-relationship of different names and terms. The Dictionary covers the field worldwide from pre-history to the present day, from rock art to interior decoration, from ethnography to contemporary art. Drawing on hundreds of hard-to-obtain documentary sources as well as modern scientific data each term is discussed in detail, giving both its context and composition.
Chez L'auteur, Paris (1785) WATSON & CLAY (1955) Watson, V.; Clay, H.F. 'The lightfastness of lead chrome pigments' Journal of the Oil and Colour Chemists'Association 38 (1955) 167–175 WATSON (1918) Watson, T.L. 'The color change in ...
The book is divided into five sections: Mediums, Adhesives, and Film Substances (amber, beeswax, casein, cellulose, nitrate, dragon's blood, egg tempera, paraffin, lacquer, gum Arabic, Strasbourg turpentine, water glass, etc.); Pigments and ...
Artists' Pigments: A Handbook of Their History and Characteristics
This volume presents the life work of the late Ruth Johnston-Feller, one of the nation's leading color scientists.
This classic one-volume reference work is now substantially expanded and revised to focus on a variety of theological themes, thinkers and movements.
Part 1. Determinative Tables. English Edition of the Fourth German Edition, Bambauer, H.U.; Taborszky,F.;Trochim, H.D.E.(tr.) Schweizerbart'sche Verlagsbuchhandlung (Nägele u. Obermiller), Stuttgart (1979) TUCKER(1991) ...
This book provides an up-to-date insight into the chemistry behind the colour of the dyes and pigments that make our world so colourful.
This volume, based on the authoritative revised German edition of 1950, makes Schweidler's work available in English for the first time, in a meticulously edited and annotated scholarly edition.
Whilst simultaneously exploringthe larger field of chromatics, utilising a variety of theoretical frameworks to interpret the collection anew. An introduction to the monograph is authored by Straus Center Director, Dr. Narayan Khandekar.
I have observed the bleeding of a certain brand of red lead when painted over with white lead . Obviously it was doctored with coal - tar colors . Coal - tar colors are frequently precipitated upon red lead , and give brilliant tones ...