From the first major discoveries a century ago, the painted portraits of Roman Egypt were a revelation to scholars and the public alike, and the recent finding of a new cache of these gilded images, which made national headlines, have only heightened their mystery and appeal. Published to coincide with a new major exhibition of these portraits, Ancient Faces is the most comprehensive, up-to-date survey of these astonishing works of art. Dating from the later period of Roman rule in Egypt, shortly before the birth of Christ, the painted mummy portraits are among the most remarkable products of the ancient world, a fusion of the traditions of pharonic Egypt and the Classical world. They are historical and cultural objects of outstanding importance and beauty, superb works of art that represent some of the earliest known examples of life-like portraiture. Though the subjects of the portraits believed in the traditional Egyptian cults, which offered them a firm prospect of life after death, they also wished to be commemorated in the Roman manner, with their fashion of dress and adornment signaling their status in life. Despite their ancient history, these portraits speak to the modern eye with a beauty and intensity that would be lost to portraiture until the Renaissance.
Ancient Faces
The painted panel and shroud portraits of Roman Egypt constitute the only corpus of coloured images of individuals to survive from classical antiquity.
Ancient faces from Roman Egypt: Fayum portraits ; a coloring book for the Egyptian Museum Cairo
Finds evidence in ancient Indian stone images supporting the theory of Semitic and Negroid peoples existing in the pre-Columbian Americas
The essays in this collection explore ideas about women and their positions in Indian society from the earliest history to the present day.
in Simon Knell, Suzanne Macleod and Sheila Watson (eds), Museum Revolutions: How Museums Change and Are Changed, London: Routledge, pp. 343-54. Brook, W H. (1981), 'Advancing Science: The British Association and the Professional ...
In Judeans and Jews, Daniel R. Schwartz argues that we need both terms in order to reflect the dichotomy between the tendencies of those, whether in Judea or in the Disapora, whose identity was based on the state and the land (Judeans), and ...
A young nobleman confronts a specter from the past that could threaten his family’s legacy.
THE MODERN DISPLAY OF ANCIENT FACES By 1936, the mummy portraits were no longer considered important for the story of European art put forward in the National Gallery; they were removed from display and loaned to the British Museum.
UC 19607 passable NB 38b: 62, In 3 poor in front of painted alabaster Ancient Faces 30 cenotaph 44 Petrie Museum UC 30081 NB 37:48, Split much colour gone NB 38b: 62, ♀ much colour gone split pl. XXVI much colour lost split Ancient ...