Shakespeare scholars and cultural theorists critically investigate the relationship between early modern culture and contemporary political and technological changes concerning the idea of the 'human.' The volume covers the tragedies King Lear and Hamlet in particular, but also provides posthumanist readings of other Shakespearean plays.
... the non-human world of early modernity, especially Nathan Likert, whose seminar and thesis work on the materiality of voice are cited in Chapter 2. Will Palmer, Eric Delp, Will Mackenzie, Cullen Brown, Andrew Freiman and Sarah ...
Posthuman Lear will change the way you think ... about Lear and about the work we do.
Seeking those patterns of thought and practice, contributors to this collection focus on moments wherein Renaissance humanism looks retrospectively like an uncanny “contemporary”—and ally—of twenty-first-century critical ...
have been linked in recent popular culture specifically with the postmodern condition and with the information age, most saliently in William Gibson's 2003 novel Pattern Recognition. Gibson's protagonist, Cayce Pollard, ...
The young-girl in theory. Women & Performance, 25(2), 175–194. ... The anime machine: A media theory of animation. University of Minnesota Press. ... A unified theory of cats on the internet. Stanford University Press.
... Posthumanist Shakespeares (2012), in Scott Maisano's and Joseph Campana's edited collec- tion Renaissance Posthumanism (2016), and in Karen Raber's Shakespeare and Posthumanism (2018). The wheel is also rediscovered when posthumanist ...
6 Scholars have often compared the number of lines in Hamlet's three early editions to support the claim that Hamlet Q1 is ... 8 Lee Hyon-u, director of the first Q1 performance in South Korea, also staged a more active Hamlet in 2009.
The story of Shakespearean amateur performance opens with a production of Hamlet, staged by mariners on board the ship Red Dragon, on 5 September 1607, off the coast of Sierra Leone. Dobson closes his account with a description of a ...
Seldom is a position of positive commitment achieved: the one exception would be the 'dissident love ethic' (Shakespeare, Authority, Sexuality 153) Marlowe y inherits from Ovid, and yet, as far as commitment goes, ...
... Shakespeare might differently matter. The rest ofthis essay concerns itself with Macbeth's place in that different mattering. POSTHUMANIST MOTIFS IN MACBETH It iscurious that Macbeth does not figure very muchin Posthumanist Shakespeares ...