A comprehensive study of cannibalism in literature and film, spanning colonial fiction, Gothic texts and contemporary American horror. Amidst the sharp teeth and horrific appetite of the cannibal, this book examines real fears of over-consumerism and consumption that trouble an ever-growing modern world.
A unique and explicit exploration of the stories that are told about cannibals, from classical myth to contemporary cinema, true crime, and fiction and featuring comprehensive illustrated critique of cannibalism...
The best-selling study of cannibals in both real,life and cinema, with illustrated reports on,cannibal killers Ed Gein, Albert Fish and Jeffrey,Dahmer, plus reviews of cannibal movies such as,'texas Chainsaw Massacre',...
In H. Radner & R. Stringer (Eds.) Feminism at the movies: Understanding gender in contemporary popular cinema (pp. 268À282). London: Routledge. ... Spectatorship, embodiment and physicality in the contemporary mutilation film.
Addressing the image as it appears in a series of texts--popular culture, film, literature, travel writing and anthropology--the essays range from classical times to contemporary critical discourse.
scores and thus reestablish order in the separate world, Michael shoots Sollozzo and his police body guard McCluskey (Sterling Hayden). McCluskey does not appreciate how meals function in Mafia society; unafraid, he eats heartily.
This collection of thoughtful and thought-provoking scholarly contributions suggests the importance of cannibalism in understanding human history and social relations.
Moving from the idea of the dangerous Other, Priscilla L. Walton's Our Cannibals, Ourselves shows us how modern-day cannibalism has been recaptured as in the vampire story, resurrected into the human blood stream, and mutated into the ...
What sets this volume apart from the large body of literature on cannibalism, both popular and anthropological, is the underlying premise: cannibalism as an alternative to starvation is tacitly condoned by the same biological morality that ...
The Author as Cannibal situates these works within Francophone studies, showing that the extent of their postcolonial critique is better understood when they are considered collectively.
SUNDAY TIMES BOOK OF THE YEAR 2021 ‘Outrageous satire . . . extremely funny, weirdly touching’ – Guardian ‘A work of genius’ – Scotsman ‘Close-to-the-knuckle farce with a big beating heart’ – Daily Mail This is the story ...