This book examines a critical period in British children’s publishing, from the earliest days of dedicated publishing firms for Black British audiences to the beginnings of the Black Lives Matter movement in the UK. Taking a historical approach that includes education acts, Black protest, community publishing and children’s literature prizes, the study investigates the motivation behind both independent and mainstream publishing firm decisions to produce books for a specifically Black British audience. Beginning with a consideration of early reading schemes that incorporated Black and Asian characters, the book continues with a history of one of the earliest presses to publish for children, Bogle L’Ouverture. Other chapters look at the influence of community-based and independent presses, the era of multiculturalism and anti-racism, the effect of racially-motivated violence on children’s publishing, and the dubious benefit of awards for Black British publishing. The volume will appeal to children’s literature scholars, librarians, teachers, education-policy makers and Black British historians.
There is only one journal specializing in CYA literature , Otrok in knjiga ( The Child and the Book , 1972 – present ) , and CYA literature reviews are published only sporadically . Bearing in mind these introductory observations ...
Thematic representation is central to children's and young adult literature; therefore, the study of themes is also vital to this book. As Jonathan Todres and Sarah Higinbotham explain, “the content of children's literature is crucial.
Despite these complexities, there is no doubt that twenty-first-century black and Asian British theatres are ready to confront such challenges as they ... Modern and Contemporary Black British Drama (London: Palgrave Macmillan, 2015).
Gender and Creative Labour. London: Wiley-Blackwell. Craig, A. (2004, January 31). Black Is the New White. The Times [Online]. Available at https://www.thetimes.co.uk/article/black-is-the-new-whitejwdwfh8vpdz. Accessed 23 July 2018.
recognise the needs of the teenage reader, writing that ʻno modern teenager would look at some of the books we publishedʼ (St John 379). Serraillierʼs New Windmill series is generally celebrated (including in company histories) because ...
Children's publishing and black Britain, 1965–2015. Palgrave. Searle, C. (1972). The forsaken lover: White words and black people. Routledge & Kegan Paul. Searle, C. (1983). A common language. Race and Class, 34(3), 45–54.
Dabydeen, David, 14, 19 Dalton, Karen, 20 Davidson, William, 12 Davis, John, 7 Dean, Faye, 256 Dial, Thornton, 21, ... 256 Hatoum, Mona, 272–73; Light Sentence, 272–73 Hawkins, John, 13, 14, 123, 124, 172, 214 Henderson, Harry, 3, 14, ...
This book examines the quilts, ceramics, paintings, sculpture, installations, assemblages, daguerreotypes, photography and performance art produced by African American artists over a two hundred year period.
Poems. 1 https://petermanson.wordpress.com/object‐2 www.argotistonline.co.uk/Brady%20interview.htm 3 ... History of the Voice: The Development of Nation Language in Anglophone Caribbean Poetry. ... Towards Design in Poetry.
A groundbreaking A-Z survey of the work of over 300 modern and contemporary artists born or based in Africa