‘Sullivan’s outstanding book is the first to show how French courtesans were fully-fledged masters of the pen as well as proverbial ladies of the night. We learn how their rewriting of classics such as The Lady of the Camellias and their response to a male “backlash” inspire Colette in previously unseen ways.’ — Nicholas White, University of Cambridge, UK This book is about the autobiographical fictions of nineteenth-century French courtesans. In response to damaging representations of their kind in Zola and Alexandre Dumas' novels, Céleste de Chabrillan, Valtesse de la Bigne, and Liane de Pougy crafted fictions recounting their triumphs as celebrities of the demi-monde and their outcries against the social injustices that pushed them into prostitution. Although their works enjoyed huge success in the second half of the nineteenth century, male writers penned faux-memoirs mocking courtesan novels, and successfully sowed doubt about their authorship in a backlash against the profitable notoriety the novels earned these courtesans. Colette, who did not write from personal experience but rather out of sympathy for the courtesans with whom she socialized, innovated the genre when she wrote three novels exploring the demi-mondaine’s life beyond prostitution and youth.
"First published in the United Kingdom by Icon Books Ltd"--Title page verso.
She would go out unaccompanied or , even worse , accompanied by attractive young men , whom she entertained at her apartment , or later in the house that Ludwig built for her . Rarely modest , she was often arrogant , bragging about her ...
This is the story of a peasant girl who surpassed all suppressions her era imposed on its women, to become one of the most famous individuals 19th century Europe had ever known.
She is the author of The Evolution of the French Courtesan Novel: From de Chabrillan to Colette (2016). She is currently working on representations of the Creole quarteronne in nineteenth-century Francophone literature.
Bethany R. Mowry is a PhD candidate in history at the University of Oklahoma. She is the coauthor of Path to Excellence: ... She is the author of The Evolution of the French Courtesan Novel (2016). Juliana Tzvetkova is an academic and ...
An examination of the lives of nineteenth-century Britain's demimonde offers insight into the hierarchies, etiquette, and protocols of the period's courtesans, focusing on five women of particular influence as well as the factors that ...
Alive with vivid period detail and characters as vibrant as they are memorable, The Courtesan is a sweeping historical tale of dangerous intrigues, deep treachery, and one woman’s unshakable resolve to honor her heart.
Newspapers eagerly reported the lurid details, and when the police arrested Enrico Pranzini, a charismatic and handsome Egyptian migrant, the story became an international sensation.
When Cäleste Mogador's memoirs were first published in 1854 and again in 1858, they were immediately seized and condemned as immoral and unsuitable for public consumption.
London Review of Books, 25 July 2002. URL: lrb.co.uk Dollimore, Jonathan. ... Desire, Deceit and the Novel: Self and Other in Literary Structure, translated by Yvonne Freccero. ... The Evolution of the French Courtesan Novel: From.