Unprecedented in scope - like its companion volume on the High Renaissance, Mannerism - this sixth volume in the Architecture in Context series traces the development of architecture and decoration in the 17th and early 18th centuries - particularly the transformation of rationalist Classical ideals into the emotive, highly theatrical style known as Baroque and the further development away from architectonic principles to the free-ranging decorative style known as Rococo. It begins with an outline of the politics of Absolutism and its opposite over the century from the Thirty Years' War to the War of the Austrian Succession: this is illustrated with images largely chosen from the major artists of the day; a supplementary introduction outlines the cross-currents of painting in the early Baroque era. The first substantive section deals with the seminal masters active in Rome - Maderno, Cortona, Borromini and Bernini - and their contemporaries there, in Venice and in Piedmont. The second section deals with the seminal French masters - above all François Mansart, Louis Le Vau, Andre Le Nôtre, Jules Hardouin-Mansart and the latter's followers who developed the Rococo style in the domestic field. The rest of the book is divided into three large sections: the Protestant North - the Netherlands, Denmark, Sweden and Britain; the Divided Centre - the Catholic powers of central Europe and southern Germany, the Protestants of northern Germany and the Orthodox Russians; the Catholic South - the Iberian kingdoms and their dominions in southern Italy and the Americas.
Kupolförslag av G Hagström och F Ekman . Plan , exteriör , vy från hamnen , odat omkring 1900. Topografiska planscher C 3 , KB . Dome design by the architects G Hagström and F Ekman . Ground plan , exterior , view from the harbour , c .
three immense , cascading chandeliers dominating the Grand Hall . The interior walls contained Mexican onyx the color of honey , white Byzantine tiles from Italy , black beanwood paneling from Australia , and beige silk curtains from ...
Finally, an extensive glossary introduces seventeenth- and eighteenth-century art terms. Note: MySearchLab does not come automatically packaged with this text.
The author examines church facades in Peru and Bolivia, dating and scrutinizing the detailed carving work of native artists and combining that visual information with the testimony of colonial historians, inquisition records, and the images ...
This volume portrays the entire span of the fine arts ofthe baroque era, from rich splendor to religious asceticism."
Architecture in the Age of Reason: Baroque and Post-baroque in England, Italy, and France
Neubarock: Architektur und Ausstattungskonzepte süddeutscher Sakralbauten um 1900
This exhibition book, created to accompany Tate Britain's 2020 exhibition British Baroque: Power & Illusion, explores how art and architecture were used by the crown, the church, and the aristocracy to project images of status in an age ...
The text treats the major media-painting, sculpture, drawings, prints, and architecture-as well as gardens, furniture, tapestries, costume, jewelry, and ceramics, all in terms of their original function and patronage and with emphasis on ...
Baroque and Rococo encompasses the German Empire as well as the Netherlands, England, France, Espin, and Italy.