How is a Shakespearean play transformed when it is directed for the screen? In this 2004 book, Sarah Hatchuel uses literary criticism, narratology, performance history, psychoanalysis and semiotics to analyse how the plays are fundamentally altered in their screen versions. She identifies distinct strategies chosen by film directors to appropriate the plays. Instead of providing just play-by-play or film-by-film analyses, the book addresses the main issues of theatre/film aesthetics, making such theories and concepts accessible before applying them to practical cases. Her book also offers guidelines for the study of sequences in Shakespearean adaptations and includes examples from all the major films from the 1899 King John, through the adaptations by Olivier, Welles and Branagh, to Taymor's 2000 Titus and beyond. This book is aimed at scholars, teachers and students of Shakespeare and film studies, providing a clear and logical apparatus with which to examine Shakespearean screen adaptations.
However , by the time Hall was named to succeed Olivier as the director of the National Theatre in 1973 , he had substantially revised his methods of examining the present moment of the past in a Shakespearean text .
This volume examines the ways in which Shakespeare's plays are designed for hearers as well as spectators and shows how Shakespeare's stagecraft, actualized both on stage and screen, revolves around various hearing conventions such as ...
This fascinating study looks at the violation of bodies in Shakespeare's tragedies, especially as revealed (or concealed) in performance on stage and screen.
As cinema plays an increasingly important role in the study of Shakespeare at schools and universities, this is a wide-ranging, entertaining and accessible guide for Shakespeare teachers, students and enthusiasts.
An up-to-date survey of Shakespeare's King Lear on screen and the aesthetic, social and political issues raised by screen versions.
Shakespeare on Stage and Screen. Othello in Excerpts: Schülerband
The book is divided into three sections: the first examines the relationship between the actor and the camera and how it differs from that of a performer with a stage audience; the second addresses the technical skills the screen actor ...
Shakespeare on Stage and Screen. Hamlet in Excerpts: Schülerband
This book will be a valuable resource for students, scholars and teachers of film studies and Shakespeare studies.
Words and Shadows: Literature on the Screen. Secaucus, Nl: Carol Publishing Group, 1992. Hodgdon, Barbara. “Shakespeare on Film: Taking Another Look.” The Shakespeare Newsletter, 26 (1976): 26. ———. The Shakespeare Trade: Performances ...