... Arthur Aylesworth (Jim Bridges), Tully Marshall (judge), Chief Big Tree (Big Elk), Claire Du Brey (Emma Smith), Ralph Dunn (jury foreman), George Melford (John Taylor), Frederick Burton (Mr Webb), Selmar Jackson (Caleb Kent), ...
Bordwell scrutinizes the theories of style launched by various film historians and celebrates a century of cinema.
A Hidden History of Film Style is the first study to focus on the collaborations between directors and cinematographers, a partnership that has played a crucial role in American cinema since the early years of the silent era.
Indeed, Loew«s management, led by Nicholas M. Schenck, ran the company as ifit were simply a chain of movie houses supplied with MGM«s films. InCulver City, California, a suburb of Los Angeles, MGM had a complete movie factory with 27 ...
Marie Epstein's scenarios and films combine social issues—particularly the plight of poor children and disadvantaged women—with poetic imagery and advanced cinematic techniques. The best-known collaboration between Epstein and ...
The challenge of making the great American historical film has attracted some of our finest talents: D. W. Griffith, John Ford, Robert Altman, Francis Ford Coppola, Martin Scorsese, Oliver Stone,...
B> The seventh edition of A Short History of the Movies continues the tradition that has made it one of the most popular books ever in film history. This volume...
The visual awareness promoted by this text has immediate application, in that students can begin to consider the impact of motion pictures (and television) on their own lives.
r Elms in every other category. ii trend that will persist ntarlv every year thcrcafmi. ln Scpu:ml>i:r. ... tlI'GI'IL' mains in Barry In May Snny d:m- Lyinliwi ixmraws thi: Burr mm vidmmssmte form-it Kubrick uses iidllpiod NASA 35mm and ...
4 Peter F.Drucker, 'Work and tools,' in Technology, Management & Society (New York: Harper & Row, Publishers, 1970), pp. ... 1972); David F.Noble, America by Design: Science, Technology, and the Rise of Corporate Capitalism (New York: 7 ...
Barry Langford explains and interrogates the concept of "e;post-classical"e; Hollywood cinema - its coherence, its historical justification and how it can help or hinder our understanding of Hollywood from the forties to the present ...