This volume gives Asia’s Shakespeares the critical, theoretical, and political space they demand, offering rich, alternative ways of thinking about Asia, Shakespeare, and Asian Shakespeare based on Asian experiences and histories. Challenging and supplementing the dominant critical and theoretical structures that determine Shakespeare studies today, close analysis of Shakespeare’s Asian journeys, critical encounters, cultural geographies, and the political complexions of these negotiations reveal perspectives different to the European. Exploring what Shakespeare has done to Asia along with what Asia has done with Shakespeare, this book demonstrates how Shakespeare helps articulate Asianess, unfolding Asia’s past, reflecting Asia’s present, and projecting Asia’s future. This is achieved by forgoing the myth of the Bard’s universality, bypassing the authenticity test, avoiding merely descriptive or even ethnographic accounts, and using caution when applying Western theoretical frameworks. Many of the productions studied in this volume are brought to critical attention for the first time, offering new methodologies and approaches across disciplines including history, philosophy, sociology, geopolitics, religion, postcolonial studies, psychology, translation theory, film studies, and others. The volume explores a range of examples, from exquisite productions infused with ancient aesthetic traditions to popular teen manga and television drama, from state-dictated appropriations to radical political commentaries in areas including Japan, India, Taiwan, Korea, Indonesia, China, and the Philippines. This book goes beyond a showcasing of Asian adaptations in various languages, styles, and theatre traditions, and beyond introductory essays intended to help an unknowing audience appreciate Asian performances, developing a more inflected interpretative dialogue with other areas of Shakespeare studies.
This volume gives Asia's Shakespeares the critical, theoretical, and political space they demand, offering rich, alternative ways of thinking about Asia, Shakespeare, and Asian Shakespeare based on Asian experiences and histories.
This volume explores post-1950s East Asian interpretations of Shakespeare and it analyses cinematic and dramatic works from Japan, China, Taiwan, Singapore, and Hong Kong.
Asian continent has contributed in no small measure to the worldwide presence of Shakespeare. To recount some Asian milestones in the development of Global Shakespeare: it was the world tours of innovative Japanese and Chinese theatre ...
Bob Adamson and Li Siu Pang Titus, 'Primary and Secondary Schooling'. In Education and Society in Hong Kong and Macau: Comparative Perspectives on Continuity and Change, edited by Mark Bray and Ramsey Koo (Second edition.
The Politics of Interweaving Performance Cultures: Beyond Postcolonialism ( London : Routledge , 2014 ), 7–9 . 39. Fischer-Lichte, “Introduction,” 11. 40. Fischer-Lichte, “Introduction,” 11. 41. Fischer-Lichte, “Introduction,” 11–12.
Yet Brannigan argues that “Black Boys on the Corner,” the song fated for B-side obscurity, “produces a related image of aggressive masculinity [...] but it does so through a specifically black American vernacular” (2009, 211).
Steve Mentz teaches Shakespeare, literary theory, and maritime literature and culture with a focus on the ... Richard III as a Skeptical Text Through Montaigne” in Approaches to Teaching Shakespeare's English History Plays (MLA, 2017).
Another key example of an Australian film appropriating Shakespeare is Fred Schepisi's The Eye of the Storm (2011), based on the 1973 novel of Patrick White, which engages with King Lear. For a detailed examination of this, see Victoria ...
The Routledge Handbook of Shakespeare and Global Appropriation brings together a variety of different voices to examine the ways that Shakespeare has been adapted and appropriated onto stage, screen, page, and a variety of digital formats.
... Shakespeare and Indian Cinemas: 'Local Habitations' (2019), Shakespeare's Asian Journeys: Critical Encounters, Cultural Geographies, and the Politics of Travel (2017), Re-playing Shakespeare in Asia (2010) and India's Shakespeare: ...