The Centennial decade was an era of ambivalence, the United States still unresolved about the incomprehensible damage it had wrought over four years of Civil War, and why. Philadelphia’s 1876 Centennial Exhibition -- a spectacular international event celebrating one hundred years of American strength, unity, and freedom -- took place in the immediate wake of this trauma of war and the failures of Reconstruction as a means to restore power and patriotism in the nation’s struggle to rebuild itself. The Unfinished Exhibition, the first comprehensive examination of American art at the Centennial, explains the critical role of visual culture in negotiating memories of the nation’s past that conflicted with the optimism that Exhibition officials promoted. Supporting novel iconographical interpretations with myriad primary source material, author Susanna W. Gold demonstrates how the art galleries and the audiences who visited them addressed the lingering traumas of battle, the uneasy re-unification of North and South, and the persisting racial tensions in the post-Emancipation era. This careful consideration of the visual record exposes the complexities of the war’s impact on Americans and clarifies how the Centennial art exhibition affected a nation still finding its direction at a critical moment in its history.
What unites these works, across centuries and media, is that each one displays some aspect of being unfinished.
Travelling through the history of art from the 15th to the 20th century, this book is a survey of works of art by Old and Modern Masters including Van Eyck, Leonardo, Michelangelo, Rubens, David, Manet, Cézanne, Matisse and Mondrian that ...
For the past fifteen years, Hans Haacke's work has been concerned with issues that are at the core of postmodern investigations - the nature of art as institution, the authorship...
Italienische Zeichnungen der Renaissance zum 500. Geburtsjahr Michelangelos. Exh. cat. Graphische Sammlung Albertina. Vienna, 1975. Krahn 1995 Krahn, Volker, ed. Von allen Seiten schön: Bronzen der Renaissance und des Barock. Exh. cat.
Hans Haacke: Unfinished Business: Exhibition Catalogue, December 12, 1986 - February 15, 1987 The New Museum of Contemporary Art, New...
... of unspoilt wilderness to a more global environmental justice and even postcolonial edge.59 Literary and postcolonial critics elizabeth deLoughrey and George Handley note the importance of the latter lens, suggesting that “place [.
"Brilliant, painful, enlightening, tearful, tragic, sad, and funny, this photo-essay book is at its core about healing, and about the social justice work that still needs to be done in the era of hip-hop, Black Lives Matter, and the ...
Grounded in the work of Jamaican-born cultural theorist Stuart Hall (1932-2014), the exhibition took Hall's seminal text "Encoding and Decoding in the Television Discourse" as its point of departure, reflecting on the ways in which meaning ...
The book includes the controversial Irish Pavilion at the Irish Museum of Modern Art, the Ranelagh Multidenominational School, the Irish Pavilion at the 2004 Venice Biennale, and their recent Glucksman Gallery at the University College Cork ...
A never-before-published Dr. Seuss non-fiction book about creating and looking at art! Based on an unrhymed manuscript and sketches discovered in 2013, this book is like a visit to a museum—with a horse as your guide!