Using Euripides' play Helen as the main point of reference, C. W. Marshall's detailed study expands our understanding of Athenian tragedy and provides new interpretations of how Euripides created meaning in performance. Marshall focuses on dramatic structure to show how assumptions held by the ancient audience shaped meaning in Helen and to demonstrate how Euripides' play draws extensively on the satyr play Proteus, which was part of Aeschylus' Oresteia. Structure is presented not as a theoretical abstraction, but as a crucial component of the experience of performance, working with music, the chorus and the other plays in the tetralogy. Euripides' Andromeda in particular is shown to have resonances with Helen not previously described. Arguing that the role of the director is key, Marshall shows that the choices that a director can make about role doubling, gestures, blocking, humour, and masks play a crucial part in forming the meaning of Helen.
Using Euripides' play Helen as the main point of reference, C. W. Marshall's detailed study expands our understanding of Athenian tragedy and provides new interpretations of how Euripides created meaning in performance.
"The story of Helen of Troy has its origins in ancient Greek epic and didactic poetry, more than 2500 years ago, but it remains one of the world's most galvanizing myths about the destructive power of beauty.
“One Ship or Two: the End of the Iphigenia in Tauris” Échos du monde classique/ Classical Views 44, (2000): 10–23. ———. “Rationalism, Naïve and Malign, in Euripides' Orestes” in Vertis in usum: Studies in Honor of Edward Courtney.
... Euripides' Helen,” Classical Philology 104 (2009): 418–38; R. Blondell, Helen of Troy: Beauty, Myth, Devastation (oxford and new York: oxford University Press, 2013); C. W. Marshall, The Structure and Performance of Euripides' Helen ...
Presents a landmark study combining key specialists around the region with well-established international scholars, from a wide range of disciplines.
Re-Readings in Greek Tragedy Sarah Olsen, Mario Telò. Sedgwick, E. K. 1993. Tendencies. ... The Mind of the Child: Child Development in Literature, Science, and Medicine, 1840–1900. Oxford. ... Choral Constructions in Greek Culture ...
The Music of Tragedy offers a new approach to the study of classical Greek theater by examining the use of musical language, imagery, and performance in the late work of Euripides.
See Machen, 'The Hill of Dreams, Decadent and Occult Works , 171, 180, 182. ... Letter to Oliver Stonor (6 September 1940), quoted in Reynolds and Charlton, Arthur Machen: A Short Account of his Life and Work , 59. 34.
(2008), Euripides Helen [Cambridge Greek and Latin Classics]. Cambridge. Arnott, W.G. (1973), “Euripides and the Unexpected,” Greece & Rome 20: 49–64. Reprinted in I. McAuslan and P. Walcot, eds. (1993), Greek Tragedy [Greece and Rome ...
The structure and performance of Euripides' Helen. Cambridge: Cambridge University Press. Marshall, Hallie Rebecca. 2012. 'Clouds, Eupolis and Reperformance'. In No laughing matter: studies in Athenian comedy, edited by Christopher W.