For this updated edition of one of Shakespeare's most problematic plays, Tom Lockwood has added a new introductory section on the latest scholarly trends, performance and adaptation practices which have occurred over the last two decades. Investigating the latest critical frames through which the play has been interpreted, the updated introduction also focuses on recent international performances on stage and screen (including Al Pacino's performances on film and in Daniel Sullivan's production in New York, the Habima National Theatre's production for the Globe to Globe Festival, Jonathan Munby's touring production for the Globe performed in London, New York and Venice, and Rupert Goold's production for the Royal Shakespeare Company). Finally, new forms of adaptation are considered: a performance transposed to the different generic mode of a New York auction room, and the remaking of the play in Howard Jacobson's 2016 novel, Shylock Is My Name.
Portia is most remembered for her disguise as a lawyer, Balthazar, especially the speech in which she urges Shylock to show mercy that “droppeth as the gentle rain from heaven.” The authoritative edition of The Merchant of Venice from ...
Plays, playscripts.
One of Shakespeare's greatest and, in recent years, most controversial plays.
shakespeare's stories.
The Merchant of Venice
The award-winning author of Shakespeare: The Invention of the Human shares his incisive meditations and commentary on each of the great Shakespearean comedies, tragedies, and history plays in a series...
Presents the original text of Shakespeare's play side by side with a modern version, discusses the author and the theater of his time, and provides quizzes and other study activities.
Presents Shakespeare's comedy about a creditor demanding a pound of flesh in payment of a defaulted debt and a love who must choose among three caskets in a riddle game to win the hand of a wealthy lady.
Examines how directors have dealt with the problem of anti-semitism in staging Shakespeare's play over the past century, with a review of an Elizabethan performance as comparison.
In Venice, the merchant Antonio borrows money so his friend can woo a beautiful lady. He agrees that if he doesn't repay Shylock the moneylender, Shylock can take a pound of his flesh.