Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers’ songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War. Mullen considers the position of songs of this time within the history of popular music, and the needs, tastes and experiences of working-class audiences who loved this music. To do this, he dispels some of the nostalgic, rose-tinted myths about music hall. At a time when recording companies and record sales were marginal, the book shows the centrality of the live show and of the sale of sheet music to the economy of the entertainment industry. Mullen assesses the popularity and significance of the different genres of musical entertainment which were common in the war years and the previous decades, including music hall, revue, pantomime, musical comedy, blackface minstrelsy, army entertainment and amateur entertainment in prisoner of war camps. He also considers non-commercial songs, such as hymns, folk songs and soldiers’ songs and weaves them into a subtle and nuanced approach to the nature of popular song, the ways in which audiences related to the music and the effects of the competing pressures of commerce, propaganda, patriotism, social attitudes and the progress of the war.
Using a collection of over one thousand popular songs from the war years, as well as around 150 soldiers' songs, John Mullen provides a fascinating insight into the world of popular entertainment during the First World War.
Amy Wells, 'Sugary Celebration and Culinary Activism: Sugar, Cooking and Entertaining during World War I', in C. Tholas-Disset and K. A. Ritzenhoff (eds), Humor, Entertainment and Popular Culture during World War I (New York, ...
When this bloody war is over, No more soldiering for me. This book brings together the words - humorous, cynical, bitter, wistful - of the songs the soldiers of the...
(After They've Seen Paree) (1919) Words by Sam M. Lewis & Joe Young Music by Walter Donaldson French lyrics by Jerry Silverman G Gdim D7 Am? Cmé, D7 G Am7 D7 G Gdim D7 "Reu - ben, Reu-ben, I've been think-ing," Said his "Reu ben, ...
Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their ...
Offers information for the public speaker, locatable by subject, date, or type of occasion
Some have suggested that a promontory fort in Drumanagh, near Dublin, where some Roman material has been found, may represent the site of a Roman incursion into Ireland. Others suggest the Roman material more likely arrived there by ...
Soul music was born as a synthesis of the call-and-response traditions of gospel with the secular - and often sexual - appeal of rhythm 'n' blues. From its birth with...
Remembering songs from the radio, from dance bands and music halls, from the popular films of the period, and from the ENSA tours that took British entertainers to the troops, this audiobook recaptures the spirit of the World War II years ...
When Governor Whitman reviewed the troops on Sunday, 12 August, he declared the band to be “one of the best in the state.”42 Part of the appeal of the band was the catchy new song that had been composed by C. Lucky Roberts to words by ...