Engaging with histories of the book and of reading, as well as with studies of material culture, this volume explores ’popularity’ in early modern English writings. Is ’popular’ best described as a theoretical or an empirical category in this period? How can we account for the gap between modern canonicity and early modern print popularity? How might we weight the evidence of popularity from citations, serial editions, print runs, reworkings, or extant copies? Is something that sells a lot always popular, even where the readership for print is only a small proportion of the population, or does popular need to carry something of its etymological sense of the public, the people? Four initial chapters sketch out the conceptual and evidential issues, while the second part of the book consists of ten short chapters-a ’hit parade’- in which eminent scholars take a genre or a single exemplar - play, romance, sermon, or almanac, among other categories-as a means to articulate more general issues. Throughout, the aim is to unpack and interrogate assumptions about the popular, and to decentre canonical narratives about, for example, the sermons of Donne or Andrewes over Smith, or the plays of Shakespeare over Mucedorus. Revisiting Elizabethan literary culture through the lenses of popularity, this collection allows us to view the subject from an unfamiliar angle-in which almanacs are more popular than sonnets and proclamations more numerous than plays, and in which authors familiar to us are displaced by names now often forgotten.
The Confessions of a Louing & Pious Soule to Allmighty God', a title seemingly given to them by Baker, and they are appended to More's lengthy defence of her spiritual adviser, 'This Devout Souls Advertisement to the Reader'.61 The ...
Elizabethan Publishing and the Makings of Literary Culture explores the influence of the book trade over English literary culture in the decades following incorporation of the Stationers’ Company in 1557.
Maxwell , Baldwin , Studies in Beaumont , Fletcher , and Massinger ( Chapel Hill : University of North Carolina Press , 1939 ) . * Notes on Robert Daborne's Extant Plays ' , Philological Quarterly 50 ( 1971 ) , 85-98 .
... the Elizabethan Book Trade , ” in Kesson and Smith ( eds . ) , The Elizabethan Top Ten , pp . 19–54 . Farmer , Alan B. , and Zachary Lesser ( eds . ) , Database of Early English Playbooks ( DEEP ) , http://deep.sas.upenn.edu . Febvre ...
“Paul's Work”: Repair and Renovation of St Paul's Cathedral, 1561–1625. In Paul's Cross and the Culture of ... In the Shadow of St. Paul's: Linguistic Confusion in English Renaissance Drama'. In English Literature and the Other ...
after the character Patient Grissel), Appelles (from Alexander and Appelles), and Hutton's deldul (highwayman Luke Hutton).92 Also, Was ever a man so test [lost?] in love is on a work on Guy of Warwick, which itself became the name of a ...
A study of how the use of Ovid in Middle English texts affected Shakespeare's treatment of the poet.
26 The twenty-four appended sonnets have been ascribed to Samuel Daniel, Thomas Campion, and Fulke Greville, all of whom “nurtured similar literary interests” to Fraunce's, and who, along with Francis Flower, were “members of Gray's Inn ...
See Levin, The Multiple Plot in English Renaissance Drama, pp. xvi–xvii; also Rowe, Thomas Middleton and the New Comedy Tradition, p. 66, and Chatterji, “Unity and Disparity,” pp. 360–61. 20. See Alan C. Dessen, Jonson's Moral Comedy ...
Parker, Holt N. Books and Reading Latin Poetry. In Johnson and Parker, eds, Ancient Literacies, 186–229. Parker, Ian R. 'Chanson de geste. In Sadie ed., New Grove Dictionary of Music and Musicians. Parker, Matthew.