The research presented in this volume is very recent, and the general approach is that of rethinking popular musicology: its purpose, its aims, and its methods. Contributors to the volume were asked to write something original and, at the same time, to provide an instructive example of a particular way of working and thinking. The essays have been written with a view to helping graduate students with research methodology and the application of relevant theoretical models. The team of contributors is an exceptionally strong one: it contains many of the pre-eminent academic figures involved in popular musicological research, and there is a spread of European, American, Asian, and Australasian scholars. The volume covers seven main themes: Film, Video and Multimedia; Technology and Studio Production; Gender and Sexuality; Identity and Ethnicity; Performance and Gesture; Reception and Scenes and The Music Industry and Globalization. The Ashgate Research Companion is designed to offer scholars and graduate students a comprehensive and authoritative state-of-the-art review of current research in a particular area. The companion's editor brings together a team of respected and experienced experts to write chapters on the key issues in their speciality, providing a comprehensive reference to the field.
The Ashgate Research Companion to Experimental Music reflects these recent developments by providing examples of current thinking and presenting detailed case studies that document the work of contemporary figures.
The Routledge Research Companion to Popular Music Education is the first book-length publication that brings together a diverse range of scholarship in this emerging field.
This is the first book to cover in detail all genres including court music, Buddhist chant, theatre music, chamber ensemble music and folk music, as well as contemporary music and the connections between music and society in various periods ...
This is the first collection of its kind to develop and present new theories and methods in the analysis of popular music and gender.
37 below, two of the three variants are probably more apparent than real, resulting from Purcell's lack of care in writing down his sketch. ... 172–3); I Will Give Thanks unto Thee O Lord (see Shay and Thompson, Purcell Manuscripts, p.
Kimberly Anne Coles has questioned 'the standard narrative of women writers as marginal within the operations of sixteenth-century English culture'. Coles argues that 'some women writers were instead central to the development of a ...
This is the first collection of its kind to develop and present new theories and methods in the analysis of popular music and gender.
In doing so, this text seeks to define modernism in music by probing its margins as much as by restating its supposed essence.
Folk music in the USA has a very long history – after all, its initial roots are in the British vernacular song that was first taken over by settlers from the 1620s onward. On more than one occasion, it has combined with other ...
DJ Lady Lick in Thailand. c Tuesday Benfield 1.1 1.2 2.1 2.2 3.1 3.2 3.3 3.4 3.5 3.6 4.1 4.2 4.3 4.4 4.5 4.6 4.7 4.8 5.1 ... didgeridoos. c Anna Steigemann KatieWilliamsinperformance. c Davi Matheson Row and HOD at Phatbeats studio. c ...