In recent years, the assumption that traditional songs originated from a primarily oral tradition has been challenged by research into ’street literature’ - that is, the cheap printed broadsides and chapbooks that poured from the presses of jobbing printers from the late sixteenth century until the beginning of the twentieth. Not only are some traditional singers known to have learned songs from printed sources, but most of the songs were composed by professional writers and reached the populace in printed form. Street Ballads in Nineteenth-Century Britain, Ireland, and North America engages with the long-running debate over the origin of traditional songs by examining street literature’s interaction with, and influence on, oral traditions.
Street Ballads in Nineteenth-Century Britain, Ireland, and North America engages with the long-running debate over the origin of traditional songs by examining street literature s interaction with, and influence on, oral traditions."
28 Mary Ellen Brown, William Motherwell's Cultural Politics, 1797–1835 (Lexington: University Press of Kentucky, 2001), pp. 78–102. See also Hustvedt, Ballad Books and Ballad Men, pp. 75–77; William B. McCarthy, 'William Motherwell as ...
He retired from the University of Aberdeen in 2009 as emeritus Keeper of Rare Books. He has written extensively on ... His publications include Children's Fiction, 1900–1950 and The World of Jennings. He is a member of the Children's ...
15, 1996, pp. 27–53. ———. “Chapbooks, Fairytales, and Children's Books in the Writings of John Clare: Part II.” John Clare Society Journal, vol. 16, 1997, pp. 43–70. Bloom, Harold. The Anxiety of Influence: A Theory of Poetry.
In a letter to James Power written as number five was in production (editorially assigned the date 8 December 1812; see Vail, The Unpublished Letters of Thomas Moore, vol. 1, 36–7, no. 50), Moore asks that the 'Song' (i.e. the solo) for ...
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations.
Theatrical Street Ballads: Some Nineteenth-century Street Ballads about the Theatre
This classic collection is a discussion of songs that gave utterance to the opinions and feelings of an important part of the Irish people in political, social, and religious feelings....
In so doing they took songs out of their original social and musical contexts and employed a variety of strategies which - consciously or unconsciously - romanticised, falsified or denigrated what the novels or stories claimed to represent.
Reprint of the original, first published in 1864.