Winner of the Nicholas Bessaraboff Prize Musical repertory of great importance and quality was performed on viols in sixteenth- and early seventeenth-century England. This is reported by Thomas Mace (1676) who says that ’Your Best Provision’ for playing such music is a chest of old English viols, and he names five early English viol makers than which ’there are no Better in the World’. Enlightened scholars and performers (both professional and amateur) who aim to understand and play this music require reliable historical information and need suitable viols, but so little is known about the instruments and their makers that we cannot specify appropriate instruments with much precision. Our ignorance cannot be remedied exclusively by the scrutiny or use of surviving antique viols because they are extremely rare, they are not accessible to performers and the information they embody is crucially compromised by degradation and alteration. Drawing on a wide variety of evidence including the surviving instruments, music composed for those instruments, and the documentary evidence surrounding the trade of instrument making, Fleming and Bryan draw significant conclusions about the changing nature and varieties of viol in early modern England.
often did, combine with other instruments depicted on the Table.45 In the old medieval classification, the lute was considered as a 'still' or bas instrument ... J. M. Ward, ed., The Lute Works of John Johnson (Columbus, OH, 1994).
... Early English Viols , 91-92 . 45 Peter Holman , Four and Twenty Fiddlers : The Violin at the English Court 1540–1690 ( Oxford : Clarendon Press , 1993 ) , 79 . 46 Michael Morrow , “ 16th - Century Ensemble Viol Music , ” Early Music 2 ...
Early English Chamber Music: From the Middle Ages to Purcell
Old English Instruments of Music: Their History and Character
Problems of Attribution in Keyboard Music from the Circle of Philips and Sweelinck', in David J. Smith and Rachelle Taylor (eds), Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries: A Collection of ...
... first hoped to have it restored to a seven-string, French-style reconfiguration of an old English viol. In the late 17th and early 18th centuries there was a fashion in France for “modernizing” antique (that is, early 17th-century) viols ...
Jahrhundert”, in: Capella Antiqua München, Festschrift zum 25jäh-rigen Bestehen, edited by Thomas Drescher, Tutzing, Schneider, pp. 145–173. Fabbri, Mario 1983 “La collezione medicea degli strumenti musicali in due sconosciuti inventari ...
In Die so lieblich klinget: Beiträge zum Instrument, zur Musik für Viola d'amore und zu ihrer Geschichte, ed. ... 'An “Old Old Violl” and “Other Lumber”: Musical Remains in Provincial, NonNoble England c.1580–1660.
The Viol: History of an Instrument
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