Drawing on published collections and also manuscripts from Mantuan archives, Commedia dell' arte and the Mediterranean locates commedia dell' arte as a performance form reflective of its cultural crucible in the Mediterranean. The study provides a broad perspective on commedia dell’ arte as an expression of the various cultural, gender and language communities in Italy during the early-modern period, and explores the ways in which the art form offers a platform for reflection on power and cultural exchange. While highlighting the prevalence of Mediterranean crossings in the scenarios of commedia dell' arte, this book examines the way in which actors embodied characters from across the wider Mediterranean region. The presence of Mediterranean minority groups such as Arabs, Armenians, Jews and Turks within commedia dell' arte is marked on stage and 'backstage' where they were collaborators in the creative process. In addition, gendered performances by the first female actors participated in 'staging' the Mediterranean by using the female body as a canvas for cartographical imaginings. By focusing attention on the various communities involved in the making of theatre, a central preoccupation of the book is to question the dynamics of 'exchange' as it materialized within a spectrum inclusive of both cultural collaboration but also of taxation and coercion.
(2007) “Transporting Tragicomedy: Shakespeare and the Magical Pastoral of the Commedia dell'Arte,” 19–34, in Henke, ... The Routledge Companion to Commedia dell'Arte. ... (2015) Commedia dell'Arte and the Mediterranean.
'Meeting at the Sign of the Queen: The Commedia dell'Arte, Cheap Print, and Piazza Performance', Italian Studies 71.2: 171–83. ... Commedia dell'Arte and the Mediterranean: Charting Journeys and Mapping 'Others'.
Jaffe - Berg , E. ( 2016 ) . Commedia dell'Arte and the Mediterranean . London : Routledge . Johnstone , K. ( 1987 ) . Impro . London : Routledge . Kirsh , D. ( 1995 ) . The Intelligent use of Space . Artificial Intelligence .
See Erith Jaffe-Berg, Commedia dell'arte and the Mediterranean: Charting Journeys and Mapping 'Others' (New York: Routledge, 2015); Kate Novotny Owen, “Dramatic Entertainments of a Mixt Kind: The Form of Mixture in Early English ...
Irish , Bradley J. “ Vengeance , Variously : Revenge Before Kyd in Early Elizabethan Drama . Early Theatre 12.2 ( 2009 ) : 117–34 . ... Karim - Cooper , Farah , and Tiffany Stern , eds . Shakespeare's Theatres and the Effects of ...
The Broadview Anthology of 19C British Performance. Peterborough: Broadview. Davis-Fisch, Heather. 2012. Loss and Cultural Remains in Performance: The Ghosts of the Franklin Expedition. New York: Palgrave. ... The Souls of Black Folk.
Medieval English Drama: Performance and Spectatorship . ... Philadelphia : University of Pennsylvania Press , 2013 . ... 2 of The Cultural History of Theatre , edited by Christopher B. Balme and Tracy C. Davis , 123–44 .
Tasso's Art and Afterlives: the Gerusalemme Liberata in England. Manchester: Manchester University ... 'Images d'action': Claude-François Ménestrier's Theoretical Writings on Festivals and Performing Arts: Translation and Commentary.
Fletcher, Alan J., Drama and the Performing Arts in Pre-Cromwellian Ireland, and Drama, Performance and Polity in Pre-Cromwellian Ireland (Toronto: University of Toronto Press, 2000). Florescu, Ileana, “Harlequin, nom de comédien,” ...
45 46 47 48 49 50 51 52 Before Orientalism; Andrea, Women and Islam in Early Modern English Literature; Vitkus, Turning Turk; and Jaffe-Berg, Commedia dell'Arte and the Mediterranean. Recent historiography that considers early modern ...