This book tells, for the first time, the story of the Situationist International’s influence and afterlives in Britain, where its radical ideas have been rapturously welcomed and fiercely resisted. The Situationist International presented itself as the culmination of the twentieth century avant-garde tradition — as the true successor of Dada and Surrealism. Its grand ambition was not unfounded. Though it dissolved in 1972, generations of artists and writers, theorists and provocateurs, punks and psychogeographers have continued its effort to confront and contest the ‘society of the spectacle.’ This book constructs a long cultural history, beginning in the interwar period with the arrival of Surrealism to Britain, moving through the countercultures of the 1950s and 1960s, and finally surveying the directions in which Situationist theory and practice are being taken today. It combines agile historicism with close readings of a vast range of archival and newly excavated materials, including newspaper reports, underground pamphlets, Psychogeographical films, and experimental novels. It brings to light an overlooked but ferociously productive period of British avant-garde practice, and demonstrates how this subterranean activity helps us to understand postwar culture, late modernism, and the complex internationalization of the avant-garde. As popular and academic interest in the Situationists grows, this book offers an important contribution to the international history of the avant-garde and Surrealism. It will prove a valuable resource for researchers and students of English and Comparative Literature, Modernism and the Avant-Gardes, Twentieth Century and Contemporary History, Cultural Studies, Art History, and Political Aesthetics.
In this book, Simon Sadler investigates the artistic, architectural, and cultural theories that were once the foundations of Situationist thought, particularly as they applied to the form of the modern city.
... The Situationist International in Britain: Modernism, Surrealism, and the Avant-Garde (London: Routledge, 2016). 40. Some of the many slogans written on public walls during the May 1968 General Strike were “Be realistic: demand the ...
Texts by Peter Wollen, Greil Marcus, Tom Levin, Mark Francis, Elisabeth Sussman, Mirella Bandini, and Troels Anderson.These photographs, essays, drawings, and original texts document the rich agit-art legacy of the...
From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this ...
In this work the author suggests what is still vital in the Situationist legacy as well as how modern provocateurs have picked up the thread of those who dared to negate their contemporary world as a whole and imagine it anew.
This book is the first major study of the Situationist International.
The first Situationist text to be published in the UK in 1974, ‘Leaving the 20th Century’ was Chris Gray and the English situationists’ attempt to capture and distil the vibrant anti-art, anti-capitalist energy of the original ...
From Situationism to Beat to Punk, Eyes For Blowing Up Bridges unites a group of remarkable radical artists, poets, writers and activists who initiated, perpetrated and influenced a range of seminal post-war alternative movements.Presenting ...
Long and Winding Roads: The Evolving Artistry of the Beatles. New York, NY: Continuum, ... Sound Pictures: The Life of Beatles Producer George Martin – the Later Years 1966–2016. Chicago, IL: Chicago Review ... Love Now, Pay Later?
Such a legend has accrued to this movement that the story of the SI now demands to be told in a contemporary voice capable of putting it into the context of twenty-first-century struggles.