Political Torture in Popular Culture argues that the literary, filmic, and popular cultural representation of political torture has been one of the defining dimensions of the torture debate that has taken place in the course of the post-9/11 global war on terrorism. The book argues that cultural representations provide a vital arena in which political meaning is generated, negotiated, and contested. Adams explores whether liberal democracies can ever legitimately perpetrate torture, contrasting assertions that torture can function as a legitimate counterterrorism measure with human rights-based arguments that torture is never morally permissible. He examines the philosophical foundations of pro- and anti-torture positions, looking at their manifestations in a range of literary, filmic and popular cultural texts, and assesses the material effects of these representations. Literary novels, televisual texts, films, and critical theoretical discourse are all covered, focusing on the ways that aesthetic and textual strategies are mobilised to create specific political effects. This book is the first sustained analysis of the torture debate and the role that cultural narratives and representations play within it. It will be of great use to scholars interested in the emerging canon of post-9/11 cultural texts about torture, as well as scholars and students working in politics, history, geography, human rights, international relations, and terrorism studies, literary studies, cultural studies, and film studies.
31 This concept of a masculinity based on torture is deeply rooted in 24's paranoid style. ... of its era and that it is symptomatic of a larger social-political tendency, as illustrated by other popular cultural texts that advocate the ...
Reality is made up of absolute and casualty ideals. This book analyzes the lower aspects of absolute ideals that result in personal and social dysfunction and the ultimate end of civilization.
20. penfold-Mounce, 'corpses, popular culture and forensic science', p. 8. 21. the term is modelled on 'concentrationary cinema' to speak about films such as Night and Fog (alain resnais, 1955) or the torture in Battle of Algiers (Gillo ...
Political Torture in Popular Culture: The Role of Representations in the Post-9/11 Torture Debate. Abingdon, PA: Routledge. Alexander, Mathew, and Bruning, John. 2008. How to Break a Terrorist: The US Interrogators Who Used Brains, ...
Political Torture in Popular Culture: The Role of Representations in the Post-9/11 Torture Debate. Abingdon: Routledge. Adams, Douglas. 2016. Life, the Universe and Everything. London: Pan. Adams, Jon , and Edmund Ramsden . 2011.
... capitalism, violence Anca M. Pusca Understanding Popular Culture and World Politics in the Digital Age Laura J. Shepherd and Caitlin Hamilton Political Torture in Popular Culture The role of representations in the post 9/11 torture ...
this film figuratively suggests, participating in torture—albeit vicariously in our imagination as viewers—has today become ... It is salient to explore the ways in which political torture has been redefined in popular culture since Abu ...
Focusing on the normalization of torture via film, television, and video games will lead us back to the political arena, where, by 2008, popular culture would effect a radical redefinition of the terms for the nation's public debate ...
This collection of essays engages with a wide range of disciplines including art, performance, film and literature, to examine the myriad effects of contemporary surveillance on our cultural psyche.
Team America (2004) is a film by South Park creators Trey Parker and Matt Stone that featured a team of puppets involved in counterterror- ism activities. The film itself is a parody of the simplistic jingoistic action films of producer ...