Curating Art provides insight into some of the most socially and politically impactful curating of historical and contemporary art since the late 1990s. It offers up a museological framework for understanding watershed developments of curating in art museums. Representing the plurality of theory and practice around the expanded field of relational curating, the book focuses on curating that prioritises the quality of relationships between people and objects, between institutions and people and among people. It has wide international breadth, with particularly strong representation in East and Southeast Asia, including four papers never before translated into English. This Asian cluster illuminates the globalisation of the field and challenges dichotomies of East and West while acknowledging distinctions within specific, but often transnational, cultural spheres. The compelling philosophical perspectives and case studies included within Curating Art will be of interest to students and researchers studying curating, exhibition development and art museums. The book will also inspire current and emerging curators to pose challenging but important questions about their own practice and the relationships that this work sustains.
9 Philip Gossett, 'Critical Editions and Performances', in Verdi in Performance, eds. Alison Latham and Roger Parker (Oxford: Oxford University Press, 2001), 143. 10 John Rosselli, The Opera Industry in Italy from Cimarosa to Verdi: The ...
... Cambridge Frederick Pleasants, assistant to director, 1940–42, 1946–49 Peale Museum, Baltimore Macgill James, director, 1933–40 Philadelphia Museum of Art Jean Sutherland Boggs, director, 1978–82 Calvin Hathaway, curator, 1930–33, ...
Curating Live Arts brings together bold and innovative essays from an international group of theorist-practitioners to pose vital questions, propose future visions, and survey the landscape of this rapidly evolving discipline.
It traces the evolution of the collections from Athanasius Kircher's 17th-century Wunderkammer to modern museums, and points the way for projects yet to come.
Now that we ‘curate’ even lunch, what happens to the role of the connoisseur in contemporary culture?
This and other artworks provided insights into Eggeling's complex universal language of art and moving forms that inform his only film, Diagonal Symphony (1921). Esther Leslie suggests that the interrelationship of elementary forms and ...
According to Mark Pierson, a pioneer in worship, worship needs to be seen as an art form rather than a linear task of filling in the gaps on an order of service.
This work explores the characteristics distinctive to new media art, including its immateriality and its questioning of time and space, and relates them to such contemporary art forms as video art, conceptual art, socially engaged art, and ...
Curating Digital Art focuses on how the experiments of curators, artists, and designers have reconfigured traditional models and methods for presenting and accessing (digital) art.
An increasing proportion of exhibitions are curated by artists rather than professional curators. In this ground-breaking book Alison Green provides the first critical history of visual artists curating exhibitions.