Black British Drama: A Transnational Story looks afresh at the ways black theatre in Britain is connected to and informed by the spaces of Africa, the Caribbean and the USA. Michael Pearce offers an exciting new approach to reading modern and contemporary black British drama, examining plays by a range of writers including Michael Abbensetts, Mustapha Matura, Caryl Phillips, Winsome Pinnock, Kwame Kwei-Armah, debbie tucker green, Roy Williams and Bola Agbaje. Chapters combine historical documentation and discussion with close analysis to provide an in-depth, absorbing account of post-war black British drama situated within global and transnational circuits. A significant contribution to black British and black diaspora theatre studies, Black British Drama is a must-read for scholars and students in this evolving field.
cast for a larger-scale production in the Cottesloe in 2004, directed by Paul Miller. The play has also since been toured by Pilot Theatre in 2006—7, directed by Marcus Romer. Usher's original production launched the National Theatre's ...
of social realism, to which tucker green is arguably the only challenger, both experimentally and experientially. This chapter places tucker green's work within traditions of women's experimental writing, where her intricate plaiting of ...
"Edited by Geoffrey V. Davis and Anne Fuchs"--T.p.
In this chapter I examine black British drama as a post-colonial phenomenon that, since the 1970s, has exhibited and explored the changing self-awareness and cultural status of Afro-Caribbean immigrants to Britain.1 Black dramatists ...
First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
â oeBlackâ British Aesthetics Today is a collection of twenty-four exciting critical and theoretical essays exploring current thinking about the hottest artistic, literary, and critical works now being produced by...
Baluch, Lalayn, 'Arts Chief Akhtar Criticises “Right Wing” Bean Play', The Stage, 5 May 2009 Bean, Richard, 'House of Games / The Big Fellah', ...
“The Social and Political Context of Black British Theatre: The 2000s.” Modern and Contemporary Black British Drama. Eds. Mary F. Brewer, Lynette Goddard and Deirdre Osborne. London: Palgrave Macmillan, 2015. 147–60. —.
"Post-World War II mass migration to Great Britain altered its demographic composition more markedly than in any other period in its history, resulting in a modern multicultural nation state shaped by the ethnic diversity of its citizenry.
A white British student, Roland Rees, who had completed his doctoral studies in the United States, returned to this vibrant scene and brought with him enthusiasm for the notion of black empowerment as well as a number of plays, ...