Architecture can be analogous to a history, a fiction, and a landscape. We expect a history or a novel to be written in words, but they can also be cast in concrete or seeded in soil. The catalyst to this tradition was the simultaneous and interdependent emergence in the eighteenth century of new art forms: the picturesque landscape, the analytical history, and the English novel. Each of them instigated a creative and questioning response to empiricism’s detailed investigation of subjective experience and the natural world, and together they stimulated a design practice and lyrical environmentalism that profoundly influenced subsequent centuries. Associating the changing natural world with journeys in self-understanding, and the design process with a visual and spatial autobiography, this book describes journeys between London and the North Sea in successive centuries, analysing an enduring and evolving tradition from the picturesque and romanticism to modernism. Creative architects have often looked to the past to understand the present and imagine the future. Twenty-first-century architects need to appreciate the shock of the old as well as the shock of the new.
122 Scully writes: 'Venturi, who first went to Rome in 1948, preceded Kahn in projecting the use of Roman ruins as deep screens around his buildings, as in the Pearson house project of 1957,' which Venturi describes as 'things in things ...
A history of landscape architecture from the dawn of time to modern day America. Covering the Fertile Crescent, Greece, Rome, Spain, France, England, United States and more. Black and white...
We expect historical narratives to be written in words, but they can also be delineated in drawing, cast in concrete or seeded in soil. The aim of this volume is to understand each design as a visible and physical history.
Generously illustrated, this collection profiles the bold innovators in turn-of-the-century landscape architecture who developed a new style of design celebrating the native midwestern landscape.
Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their ...
An exploration of the way English literature has interacted with architectural edifices and the development of landscape as a national style from the Middle Ages to the 19th Century.
Topography, in his view, incorporates terrain, built and unbuilt. It also traces practical affairs, by which culture preserves and renews its typical situations and institutions."
In this vital new collection, acclaimed landscape designer and public artist Walter Hood assembles a group of notable landscape architecture and planning professionals and scholars to probe how race, memory, and meaning intersect in the ...
Describes the life of the landscape architect responsible for New York's Central Park and Boston's Emerald Necklace including his lesser-known time spent as an influential journalist, early voice for the environment and abolitionist, all ...
This book will be of great interest to a range of scholarly fields, from design education and design history to environmental policy and environmental history.