This book illuminates the racialized nature of twenty-first century Western popular culture by exploring how discourses of race circulate in the Fantasy genre. It examines not only major texts in the genre, but also the impact of franchises, industry, editorial and authorial practices, and fan engagements on race and representation. Approaching Fantasy as a significant element of popular culture, it visits the struggles over race, racism, and white privilege that are enacted within creative works across media and the communities which revolve around them. While scholars of Science Fiction have explored the genre’s racialized constructs of possible futures, this book is the first examination of Fantasy to take up the topic of race in depth. The book’s interdisciplinary approach, drawing on Literary, Cultural, Fan, and Whiteness Studies, offers a cultural history of the anxieties which haunt Western popular culture in a century eager to declare itself post-race. The beginnings of the Fantasy genre’s habits of whiteness in the twentieth century are examined, with an exploration of the continuing impact of older problematic works through franchising, adaptation, and imitation. Young also discusses the major twenty-first century sub-genres which both re-use and subvert Fantasy conventions. The final chapter explores debates and anti-racist praxis in authorial and fan communities. With its multi-pronged approach and innovative methodology, this book is an important and original contribution to studies of race, Fantasy, and twenty-first century popular culture.
This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world.
Unlike many classic works of fiction, literature of the fantastic enjoys mass popularity. Because the fantastic is so much a part of popular culture, fantasy literature can represent or address...
Race, Fiction, and the American Imagination Jess Row ... Aesthetics and Politics: The Key Texts of the Classic Debate within German Marxism. Verso, 1977. Agamben, Giorgio. ... Albert Murray and the Aesthetic Imagination of a Nation.
Examines how authors of color juxtapose science fiction tropes with specific cultural references to comment on issues of inclusiveness in Eurowestern cultures.
In Speculative Blackness, André M. Carrington analyzes the highly racialized genre of speculative fiction—including science fiction, fantasy, and utopian works, along with their fan cultures—to illustrate the relationship between genre ...
One of NPR's 50 Favorite Sci-Fi and Fantasy Books of the Past Decade Magic and mayhem clash with the British elite in this whimsical and sparkling debut.
In this imaginative escape into enthralling new lands, World Fantasy Award finalist Kate Elliott's first bestselling young adult novel weaves an epic story of a girl struggling to do what she loves in a society suffocated by rules of class ...
Discovering his rare ability to summon demons from another world, blacksmith's apprentice Fletcher practices his skills at a magical academy where he prepares to serve his Empire in the war against the Orcs.
Because in this story, the princess might be the most dangerous player of all. “Cinematic storytelling at its best.”—Adrienne Young, New York Times bestselling author of Sky in the Deep and The Girl the Sea Gave Back “Zhao shines in ...
Brian Attebery's "strategy of fantasy" include not only the writer's strategies for inventing believable impossibiltes, but also the reader's strategies for enjoying, challenging, and conspiring with the text. Drawing on...