Akira Kurosawa is widely known as the director who opened up Japanese film to Western audiences, and following his death in 1998, a process of reflection has begun about his life’s work as a whole and its legacy to cinema. Kurosawa’s 1950 film Rashomon has become one of the best-known Japanese films ever made, and continues to be discussed and imitated more than 60 years after its first screening. This book examines the cultural and aesthetic impacts of Akira Kurosawa’s Rashomon, as well as the director’s larger legacies to cinema, its global audiences and beyond. It demonstrates that these legacies are manifold: not only cinematic and artistic, but also cultural and cognitive. The book moves from an examination of one filmmaker and his immediate social context in Japan, and goes on to explore how an artist’s ideas might transcend their cultural origins to ultimately provide global influences. Discussing how Rashomon’s effects began to multiply with the film being re-imagined and repurposed in numerous media forms in the decades that followed its initial release, the book also shows that the film and its ideas have been applied to a wider range of social and cultural phenomena in a variety of institutional contexts. It addresses issues beyond the realm of Rashomon within film studies, extending to the Rashomon effect, which itself has become a widely recognized English term referring to the significantly different interpretations of different eyewitnesses to the same dramatic event. As the first book on Rashomon since Donald Richie's 1987 anthology, it will be invaluable to students and scholars of film studies, film history, Japanese cinema and communication studies. It will also resonate more broadly with those interested in Japanese culture and society, anthropology and philosophy.
Borrowing the multi-viewpoint technique of the classic Japanese film RASHOMON, sociologist/engineer Allan Mazur reveals that there are many--often conflicting--versions of what occurred at Love Canal.
Paul Anderer looks back at Kurosawa before he became famous, taking us into the turbulent world that made him.
This pair looms over Sanshiro throughout the film, the foes he will inevitably face in the climax. As their brother did before, they challenge him to a duel. Sanshiro is drawn in by their challenge, but he has a problem: his master, ...
Quality/Patient Safety
When med student Hale is called home by his ailing mother on Halloween night, he and a group of friends are trapped in an inescapable cycle of violence.
This book examines information reported within the media regarding the interaction between the Black Panther Party and government agents in the Bay Area of California (1967-1973).
Strategies for Uncertainty Through Planning and Design Andrea Kahn, Carol J. Burns. 15 16 19 20 13 Evenson, Two Brasilian ... See her “The Symbolism of Brasilia,” 22. On the same page, ... 24 Epstein, Brasilia, Plan and Reality, 28–30.
Deutscher, Irwin, Fred P. Pestello, and H. Frances G. Pestello. 1993. Sentiments and Acts. Hawthorne, NY: Aldine de Gruyter. de Waal, Frans B. M. 1996. “The Biological Basis of Behavior.” Chronicle of Higher Education 42 (40):B1–B2.
... effects: Kurosawa, Rashomon, and their legacies. Routledge Press, New York Provine WB (1986) Sewall Wright and Evolutionary biology. University of Chicago Press, Chicago Scheiner S ... Rashomon Effect”: A Reply to Svensson 61 References.
Retrieved from www.tandfonline.com/doi/abs/10.1080/0305 7240.2013.817327 Iwaniec, D., Sneddon, H., and Allen, S. (2003). The outcomes of a longitudinal study of non-organic failure-to-thrive. Child Abuse Review, 12, 216–226.