“A terrific and sometimes terrifying collection—morally complex, rhythmic, tough-minded, and original.” —Rosanna Warren, 2018 Barnard Women Poets Prize citation In a poetic voice at once accessible and otherworldly, gutsy and insightful, U.S. Army veteran Karen Skolfield offers a rare glimpse of a female soldier’s training and mental conditioning. Through the narratives of a young soldier, her older counterpart, and her fellow soldiers, Skolfield searches for meaning in combat preparation, long-term trauma, and the way war is embedded in our language and psyche.
A new collection by the author of Taboo evaluates themes of war and conflict as demonstrated by global battles, social uprisings, and sexual confrontations, in a volume that explores lengthier poetic forms and includes such works as "The ...
When he passed in front of me, I could see that he was trembling and that his lips were moving, and for a second I heard him reciting one of those English poems he liked so much. I screamed and screamed his name, but they were mute ...
More Poetry from Oxford (London: The Fortune Press, 1947). , Poetry from Oxford in Wartime (London: The Fortune Press, 1946). Benn, Robert, and Dennis Birch, Robert Smith, Alan White (eds), Poets in Battle Dress (London: The Fortune ...
111.1110 blacks accustomedtollattle,wa1likc Ethiopians. gůd-plega, rr. ш. war-play, battle. Еда-тайга. st. ш. rush, onset of battle, attack, battle. gůd-rêaf, sf. n. battle-dress, arms. gûd~rêow, mij. ñcrce in battle. güd-rinc, ...
... was from a similar background, but in contrast to her stern, atheist husband was vivacious and a regular churchgoer; on Sundays her son was bundled along to three services at the Paraclete Congregational Church in nearby Newton ...
Bjork argues that speeches become increasingly indiscernible from the narrator's voice as the poem progresses.4 While this ... 'he stood on the hearth' (404), and then describes his skilfully wrought, shining battle dress (405b–6).
The sentinels stand guard: A pot of jam, a jar of marmalade are emplaced on the strategic salient of the dining-room table. In battle-dress, knives, forks and spoons, the infantry, have been fully mobilized. Now battle!
In battle-dress, knives, forks and spoons, the infantry, have been fully mobilized. Now battle! The moment's silence is conflict's omen. Certain of the issue, she advances, knowing all order is as brief as day, while primal Chaos ruled ...
Culture, Community, and Form in Twentieth-Century American Poetry Eric Haralson. wearing the camouflage “battle dress” intended for “winter warfare.” They are in hideously contorted positions, all dead. We can make out at least eight ...
Finally, they did end: a thick White snarl, man-size, awash, rising on every wave, a sodden ghost, falling back, sodden, giving up the ghost. . . . A kite string?—But no kite.