Synge was the victim of a cruel paradox: those who loved his works knew no Irish and those who loved Irish despised his works. This book aims to show that Synge's command of Irish was extensive and that this knowledge proved invaluable in the writing of his major plays.
What ! give up the tongue of Ollamh Fodhla and Brian Boru , the tongue of Sarsfield's , Curran's , Mathews ' , and O'Connell's boyhood , for that of Strafford and Poynings , Sussex , Kirk , and Cromwell !
Synge and Anglo-Irish Drama
First published in 1979, Irish Identity and the Literary Revival, through the works of W.B. Yeats, James Joyce, J. M. Synge, and Sean O’Casey, documents the complex spectrum of political, social and other pressures that helped fashion ...
William Laffan (Tralee, Ireland: Churchill House Press, 2006), 98–99. 16. See in particular Colbert, Travel Writing and Tourism in Britain and Ireland, and James, Tourism, Land, and Landscape in Ireland. 17.
The Drama of J.M. Synge
... books including Modern Ireland 1600–1972 (1988) and the award-winning two-volume W. B. Yeats: A Life (1997 and 2003) ... Children's Fiction 1765–1808 (2011), and author of Oscar Wilde's Fairy Tales: Origins and Contexts (2011). P. J. ...
Language and Society in Anglo-Irish Literature
O'Neill statesthat “no other organization has hadas great an effect onthe cultural and political historyof Ireland inour times asthe Gaelic League (p. 59).” Hementions the European scholarswho have been keenly interested inIrish, ...
With a guide to further reading and a chronology, this book will introduce students of drama, postcolonial studies, and Irish studies as well as theatregoers to one of the most influential and controversial dramatists of the twentieth ...
The English Language in Ireland