Hamlet is arguably the most famous play on the planet, and the greatest of all Shakespeare's works. Its rich story and complex leading role have provoked intense debate and myriad interpretations. To play such a uniquely multi-faceted character as Hamlet represents the supreme challenge for a young actor. Performing Hamlet contains Jonathan Croall's revealing in-depth interviews with five distinguished actors who have played the Prince this century: Jude Law: 'You get to speak possibly the most beautiful lines about humankind ever given to an actor.' Simon Russell Beale: 'Hamlet is a very hospitable role: it will take anything you throw at it.' David Tennant: 'No other part has been so satisfying. It was tough, but utterly compelling.' Maxine Peake: 'Hamlet was a way of accessing bits of me as an actress I've not been able to access before.' Adrian Lester: 'Working with Peter Brook on Hamlet changed me as an actor, and for the better.' The book benefits from the author's interviews with six leading directors of the play during these years: Greg Doran, Nicholas Hytner, Michael Grandage, John Caird, Sarah Frankcom and Simon Godwin. Many other productions are described, from those starring Michael Redgrave, Alec Guinness and Paul Scofield in the 1950s, to the performances of Benedict Cumberbatch, Andrew Scott and Paapa Essiedu in recent times. The volume also includes an updated text of the author's earlier book Hamlet Observed, and an account of actors' experiences of performing at Elsinore.
In this illuminating study, Anthony Dawson surveys the stage history of Hamlet from its appearance in Shakespeare’s time to the efflorescence of new and challenging productions in our own.
The tour was the brainchild of Dominic Dromgoole, artistic director of the Globe, and in Hamlet: Globe to Globe, Dromgoole takes readers along with him.
Hamlet's a challenge for any actor, but when Jessica is cast as the titular character in a New York production, it sends her into an existential tailspin.
of his prosecution for directing the homosexual rape scene in Brenton's The Romans in Britain, which allegorised the violation of Ireland. Bogdanov's Abbey Hamlet was prefaced by half an hour of army drill: Claudius ruled a military ...
John Gielgud's Hamlet: A Record of Performance
Then Barnardo's pointing fingerWhen yond same star that's westward from the pole ... moves our heads in that direction ( in the illusionistic theatre a glowing star has helped draw us to its sparkle ) ; while his The bell then beating ...
Shakespeare is difficult enough in class or watching onstage, let alone trying to teach the stories to children, but as the author's mantra states in the book, "there is no better way to learn than to have fun!
In addition to repressing his sexuality, Andrew also represses his urge to be a great actor because he is worried that he will not be up to the challenge of performing Hamlet. He spends the first act pretending that the life of a ...
Hamlet, probably composed between 1599 and 1601, takes place in Denmark and tells how Prince Hamlet carries out his revenge on his uncle Claudius who murdered Hamlet's father, the king, and holds the usurped crown as well as nuptials with ...
3.4.97–100) Hamlet's lines could be considered to be continuous with Gertrude's line overlapping. ... from a cue part by giving the actor playing Hamlet a continuous speech, and the actor playing Gertrude the cueline in his pocket'.