From Hitler's notorious fondness for Wagner's operas to classical music's role in fuelling German chauvinism in the era of the world wars, many observers have pointed to a distinct relationship between German culture and reactionary politics. In Classical Music in Weimar Germany, Brendan Fay challenges this paradigm by reassessing the relationship between conservative musical culture and German politics. Drawing upon a range of archival sources, concert reviews and satirical cartoons, Fay maps the complex path of classical music culture from Weimar to Nazi Germany-a trajectory that was more crooked, uneven, or broken than straight. Through an examination of topics as varied as radio and race to nationalism, this book demonstrates the diversity of competing aesthetic, philosophical and political ideals held by German music critics that were a hallmark of Weimar Germany. Rather than seeing the cultural conservatism of this period as a natural prelude for the violence and destruction later unleashed by Nazism, this fascinating book sheds new light on traditional culture and its relationship to the rise of Nazism in 20th-century Germany.
Classical Music in Weimar Germany
For the architects of the third reich, jazz was an especially threatening form of expression, because of its essence: spontaneity, improvisation and individuality.
In Singing Like Germans, Kira Thurman tells the sweeping story of Black musicians in German-speaking Europe over more than a century.
The essays contained in this volume address these fundamental themes.
Wooding toured like this for the remainder of 1926 and into 1927 when he next departed for South America, touring there until around July when Dave Peyton wrote of Wooding's performance in Argentina (Dave Peyton, “The Musical Bunch.
Originally published in 1980, this book examines the nature and significance of Classicism as a literary phenomenon and relates the beginnings of the German variety to the search for a national identity in the circumstances of a politically ...
Contributors to this volume: Celia Applegate Doris L. Bergen Philip Bohlman Joy Haslam Calico Bruce Campbell John Daverio Thomas S. Grey Jost Hermand Michael H. Kater Gesa Kordes Edward Larkey Bruno Nettl Uta G. Poiger Pamela Potter ...
family, his adolescence was marked by the strong presence of German classical culture and humanist learning in his ... years in Berlin of the Weimar Republic also made Meyer aware of the increasing danger of political anti-Semitism.
This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century.
20 (August 19, 1933): 3–5 Kurzke, Hermann, Thomas Mann: Das Leben als Kunstwerk (Munich: C. H. Beck, 1999) Lange, ... Norbert, Die deutsche Dichtung seit dem Weltkrieg: Von Paul Ernst bis Hans Baumann (Karlsbad: Adam Kraft, 1941 [?] ...