Michael Allen's insightful study explores the long and diverse career of the actor and director Robert Redford, from his early work in theatre and TV to his contemporary status as an iconic and enduring star. Allen assesses Redford's importance to the American film industry during a period of great transformation: as an influential industry player, an award-winning director and a committed political activist. Allen considers Redford's individual achievements in the context of shifts and changes in the industry as a whole: some of which benefited Redford's own progress and development; some which he engineered himself, as well as discussing Redford's star persona in relation to ageing and masculinity.
“Wrestling with the Hollywood beast; Robert Redford stars in just a handful of films these days. And his latest, An Unfinished Life, is becoming better known for its troubled trip to the screen than for the film itself.
In Charles River Editors' American Legends series, readers can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never ...
In Charles River Editors' American Legends series, readers can get caught up to speed on the lives of America's most important men and women in the time it takes to finish a commute, while learning interesting facts long forgotten or never ...
Mike Connors believed the problem was with the Reinhardts and their failure to come to grips with the material. “This type of yarn was Guinness's perfect territory,” says Connors. “The story of the cellar with these captive pets' was ...
Although Ossie Davis hadmade Cotton Comes to Harlem (1970) for the Goldwyn company in 1970, the cycle is generally acknowledged to have started with Melvin Van Peebles' Sweet Sweetback's Baadasssss Song (1971).
The Films of Robert Redford
Cinema of Outsiders is the first and only comprehensive chronicle of contemporary independent movies from the late 1970s up to the present.
As previously noted, Hoffman and Redford, along with Gene Hackman, had been casual friends during their early New York City theater days; and the connection continued, more perhaps for Redford and Hackman than for Redford and Hoffman.
77 Viewed from this perspective, then, post-war suburbanisation maintained the nation's dominant culture and preserved the racial and, to some extent, social and ethnic separation of American ... 75 Polenberg, One Nation Divisible, p.
Robert Redford: A Photographic Portrayal of the Man and His Films