This book examines the art of Cobra, a network of poets and artists from Copenhagen, Brussels, and Amsterdam (1948–1951). Although the name stood for the organizers’ home cities, the Cobra artists hailed from countries in Europe, Africa, and the United States. This book investigates how a group of struggling young artists attempted to reinvent the international avant-garde after the devastation of the Second World War, to create artistic experiments capable of facing the challenges of postwar society. It explores how Cobra’s experimental, often collective art works and publications relate to broader debates in Europe about the use of images to commemorate violent events, the possibility of free expression in an art world constrained by Cold War politics, the breakdown of primitivism in an era of colonial independence movements, and the importance of spontaneity in a society increasingly dominated by the mass media. This book will be of interest to scholars in art history, 20th-century modern art, avant-garde arts, and European history.
The Cobra artists combined creative freedom and social engagementRadical and transnational (the group's name derives from the main urban centers of the movement--Copenhagen, Brussels and Amsterdam), the postwar artist's group...
This definitive book on the renowned postwar avant-garde artistic movement offers a comprehensive insight into Cobra's history and achievements, and explores its lasting influences on contemporary art.
Multiple Modernisms Flavia Frigeri, Kristian Handberg. “Modernity” in Smith 1996. 2 Meyer 2013. ... In a similar vein, a conception of “translocated modernisms” has been used to trace the experiences of Canadian writers and artists ...
Taken together, these essays demonstrate how an emphasis on materials can affect artistic thinking and imagination and lead to a richer and more diverse framework for critical interpretation.
... The Cobra Movement in Postwar Europe: Reanimating Art (2021), author Karen Kurczynski describes the group's intentions: Cobra wanted to animate art as a living force in society, not a 'dead' object in a museum but a site of connection ...
... Emily L. Newman Class, Gender and Sexuality in Thomas Gainsborough's Blue Boy Valerie Hedquist Feminist Subjectivities in Fiber Art and Craft Shadows of Affect John Corso Esquivel Artist-Parents in Contemporary Art Gender, Identity, ...
A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first work to consider all the arts and to discuss the role of the avant-garde not only in aesthetic terms but in its cultural and political context.
... station was the Whitechapel Art Gallery in London in fall 1959, and then the Louisiana Foundation in Humlebæk, Denmark, in spring 1960. Exhibiting Malevich's works was a major international operation to revive interwar modernism.
... CoBrA Kurczynski, Karen. The Cobra Movement in Postwar Europe: Reanimating Art. London: Routledge, 2020. Cocteau, Jean Fulacher, Pascal, and Dominique Marny. Jean Cocteau le magnifique: Les Miroirs d'un poète. Paris: Gallimard, 2013 ...
... The Cobra Movement in Postwar Europe Reanimating Art Karen Kurczynski Emilio Sanchez in New York and Latin America Victor Deupi Henri Bertin and the Representation of China in Eighteenth-Century France John Finlay Picturing Courtiers ...