This book investigates the portrayal of nationalities and sexualities in British post-Second World War crime film and melodrama. By focussing on these genres, and looking at the concept of melodrama as an analytical tool apt for the analysis of both sexuality and nation, the book offers insight into the desires, fears, and anxieties of post-war culture. The problem of returning to ‘normalcy’ after the war is one of the recurring themes discussed; alienation from society, family, and the self were central issues for both women and men in the post-war years, and the book examines the anxieties surrounding these social changes in the films of the period. In particular, it explores heterosexuality and nationality as some of the most prominent frameworks for the construction of identities in our time, structures that, for all their centrality, are made invisible in our culture.
In his book, Evolution of the Language of Cinema, Bazin specifically wrote about Welles and Citizen Kane (1941), championing the director as auteur, placing the artistry of film with the director and his use of the camera on set: “The ...
This book explores the ways in which Hollywood film cycles from the 1930s to the 1960s were shaped by their surrounding industrial contexts and market environments, to build an inclusive conception of the form, operation, and function of ...
... Psychology of Secrets in Transnational Film Deborah Lynn Porter Melodrama, Self and Nation in Post-War British Popular Film Johanna Laitila Emotion in Animated Films Edited by Meike Uhrig Post-Production and the Invisible Revolution ...
... of Secrets in Transnational Film Deborah Lynn Porter 20 Melodrama, Self and Nation in Post-War British Popular Film Johanna Laitila 21 Emotion in Animated Films Edited by Meike Uhrig For more information about this series,
... Trauma and the Psychology of Secrets in Transnational Film Deborah Lynn Porter 59 Melodrama, Self and Nation in Post-War British Popular Film Johanna Laitila 60 Emotion in Animated Films Edited by Meike Uhrig 61 Post-Production and ...
While Creed's deployment of 'phallic panic' in her book of the same name shaped the interpretation of male monstrosity as a displacement of and debt to the monstrous mother, the fear created through lack and loss extended far beyond ...
Routledge Advances in Film Studies 58 Collective Trauma and the Psychology of Secrets in Transnational Film Deborah Lynn Porter 59 Melodrama, Self and Nation in Post-War British Popular Film Johanna Laitila 60 Emotion in Animated Films ...
... Film Deborah Lynn Porter 59 Melodrama, Self and Nation in Post-War British Popular Film Johanna Laitila 60 Emotion in Animated Films Edited by Meike Uhrig 61 Post-Production and the Invisible Revolution of Filmmaking From the.
This understanding of pastiche is useful to address the self-reflexive turn in the period film of the 1990s and 2000s ... in popular culture, whilst contextualising the modern in direct tension with post-war social consensus in Britain.
As an intervention in conversations on transnationalism, film culture and genre theory, this book theorises transnational genre hybridity – combining tropes from foreign and domestic genres – as a way to think about films through a ...