The commemorative tradition in early American art is given sustained consideration for the first time in Sally Webster's study of public monuments and the construction of an American patronymic tradition. Until now, no attempt has been made to create a coherent early history of the carved symbolic language of American liberty and independence. Establishing as the basis of her discussion the fledgling nation's first monument, Jean-Jacques Caffi?'s Monument to General Richard Montgomery (commissioned in January of 1776), Webster builds on the themes of commemoration and national patrimony, ultimately positing that like its instruments of government, America drew from the Enlightenment and its reverence for the classical past. Webster's study is grounded in the political and social worlds of New York City, moving chronologically from the 1760s to the 1790s, with a concluding chapter considering the monument, which lies just east of Ground Zero, against the backdrop of 9/11. It is an original contribution to historical scholarship in fields ranging from early American art, sculpture, New York history, and the Revolutionary era. A chapter is devoted to the exceptional role of Benjamin Franklin in the commissioning and design of the monument. Webster's study provides a new focus on New York City as the 18th-century city in which the European tradition of public commemoration was reconstituted as monuments to liberty's heroes.
"The commemorative tradition in early American art is given sustained consideration for the first time in Sally Webster's study of public monuments and the construction of an American patronymic tradition.
... monuments. ... A must-read for all Americans who yearn for a more informed and nuanced assessment of our country's commemorative tradition.” —Sally Webster, author of The Nation's First Monument and the Origins of the American Memorial ...
From the Alamo and Gettysburg to Mount Rushmore and the Vietnam Veterans Memorial, Monuments is celebrated architectural historian Judith Dupré’s sweeping tribute to classic American landmarks. But included too are...
The story of the United States of America is one of a nation founded upon the loftiest ideals of representative government, attempting to fulfill its goals while encountering competing domestic and global forces.
10 In the 1880s, in the periodical La Vie Parisienne, a series of fantastic topographical illustrations by the artist known as “Sahib” addressed the ambiguity of love in Paris by literally mapping the shifting territory of the ...
Kassel's Museum Fridericianum (1769–1777), Munich's Glyptothek (1830) and Staatliche Antikensammlungen (1848), the Vatican's Museo Pio-Clementino (c. 1773–1780) and Braccio Nuovo (1806–1823), and Madrid's Prado (1784–1811) all used ...
"Reading this book makes me want to jump in the car, drive down to Washington and look at these monuments with new eyes.
The volume shows that while commemorative acts and objects affect the community in fundamental ways, their meaning is always multivalent and conflicted, attesting to both triumphs and tragedies.
Congress had actually called for establishing a monument to Washington as far back as 1783, but it would not be until the 1830s that work on the world's tallest obelisk began in earnest.
Found in this book are the images that demonstrate many of the memorials and monuments situated throughout Missouri, highlighting the plentiful and impressive military legacy of the Show-Me State.