A leading figure of the postwar avant-garde, Danish artist Asger Jorn has long been recognized for his founding contributions to the Cobra and Situationist International movements - yet art historical scholarship on Jorn has been sparse, particularly in English. This study corrects that imbalance, offering a synthetic account of the essential phases of this prolific artist?s career. It addresses his works in various media alongside his extensive writings and his collaborations with various artists' groups from the 1940s through the mid-1960s. Situating Jorn's work in an international, post-Second World War context, Karen Kurczynski reframes our understanding of the 1950s, away from the Abstract-Expressionist focus on individual expression, toward a more open-ended conception of art as a public engagement with contemporary culture and politics. Kurczynski engages with issues of interest to twenty-first-century artists and scholars, highlighting Jorn's proposition that the sensory address of art and its complex relationship to popular media can have a direct social impact. Perhaps most significantly, this study foregrounds Jorn's assertion that creativity is crucial to subjectivity itself in our increasingly mediated 'Society of the Spectacle.'
This book offers a concise overview of the diverse accomplishments of Danish artist Asger Jorn. The book comprises over 75 images of Jorn’s work, each with complete provenance, exhibition and literature history.
Willard R. Trask (Princeton, N.J.: Princeton University Press, 1953), 310. 14 Francis Bacon, The Advancement of Learning (Oxford: Clarendon Press, 1885). 15 Walter Mignolo, “From Signs and Their Transmission: The Question of the Book in ...
First published in 1998, this volume is a study of Asger Jorn’s attempt to formulate the ‘first complete revision of the existing philosophical system’ from the standpoint of the artist in the period 1961-67.
"The Danish artist Asger Jorn is primarily known as a painter who was active in the Hst, Cobra and the Situationist International groups.
A key artist in the European post-war Avant-Garde, Asger Jorn worked within several, sometimes-conflicting art movements. He was central to the European development of expressive, abstract painting, and at the...
In The Natural Order and Other Texts, Peter Shield presents the first English translations of the artist Asger Jorn's three philosophical texts - The Natural Order, Value and Economy and...
The second publication in the Louisiana Library series, from Denmark's Louisiana Museum of Modern Art, is an in-depth look at that institution's impressive Asger Jorn collection. Jorn, a founding member...
Allen provides a discerning overview in English of Brandes's significance within the international cultural framework of the period, particularly that of Danish-German history. Allen, Icons of Danish Modernity, 60.
A Cultural History of the Avant-Garde in the Nordic Countries 1925-1950 is the first work to consider all the arts and to discuss the role of the avant-garde not only in aesthetic terms but in its cultural and political context.
This definitive book on the renowned postwar avant-garde artistic movement offers a comprehensive insight into Cobra's history and achievements, and explores its lasting influences on contemporary art.