What defines pop music? Why do we consider some styles as easier listening than others? Arranged in three parts: Aesthetics and Authenticity - Groove, Sampling and Industry - Subjectivity, Ethnicity and Politics, this collection of essays by a group of international scholars deals with these questions in diverse ways. This volume prepares the reader for the debates around pop's intricate historical, aesthetic and cultural roots. The intellectual perspectives on offer present the interdisciplinary aspects of studying music and, spanning more than twenty-five years, these essays form a snapshot of some of the authorial voices that have shaped the specific subject matter of pop criticism within the broader field of popular music studies. A common thread running through these essays is the topic of interpretation and its relation to conceptions of musicality, subjectivity and aesthetics. The principle aim of this collection is to demonstrate that pop music needs to be evaluated on its own terms within the cultural contexts that make it meaningful.
" The book also provides numerous anecdotes, such as how quickly after the Strawberry Alarm Clock released their 1967 hit "Incense and Peppermints," Muzak recorded an instrumental version by Charles Grean and His Orchestra that kept the ...
This book documents easy listening’s connections with film music, an aspect overlooked in academic and popular literature.
DIVNoted music historian Joseph Lanza seriously appraises an American musical tradition /div
Studie over hoe de moderne opname- en geluidstechnieken van na de oorlog in de Verenigde Staten het idioom van de populaire muziek, inclusief beeldvorming en appreciatie, ingrijpend hebben gewijzigd.
Switched on Pop is the book based on the eponymous podcast that has been hailed by NPR, Rolling Stone, The Guardian, and Entertainment Weekly for its witty and accessible analysis of Top 40 hits.
This book investigates the phenomenon of queering in popular music and video, interpreting the music of numerous pop artists, styles, and idioms.
Dizzy Gillespie: The Bebop Years, 1937-1952. Lanham, MD: Scarecrow Press. Discographical References Armstrong, Louis and His Hot Five. 'West End Blues.' Okeh 8597. 1928: USA. Armstrong, Louis and His Hot Five. 'Heebie Jeebies.
In this wonderful book, Howland ranges widely across the spectrum of high, middle, and lowbrow musical style and aesthetics, exploring the mysteries and miracles of musical hybridity in the American pop pageant."—Albin Zak, author of I ...
Here's where my American history--and yours--goes to find itself."--Jonathan Lethem, author of "You Don't Love Me Yet"
By 1922, Johnson lost control of the club and relinquished his interest to the Irish gangster Owney “the Killer” Madden, a fearsome little Hell's Kitchen rat who, at the time he took over the Cotton Club, was in Sing Sing on a ...