J.M.W. Turner and the Subject of History is an in-depth consideration of the artist's complex response to the challenge of creating history paintings in the early nineteenth century. Structured around the linked themes of making and unmaking, of creation and destruction, this book examines how Turner's history paintings reveal changing notions of individual and collective identity at a time when the British Empire was simultaneously developing and fragmenting. Turner similarly emerges as a conflicted subject, one whose artistic modernism emerged out of a desire to both continue and exceed his eighteenth-century aesthetic background by responding to the altered political and historical circumstances of the nineteenth century.
Franny Moyle brilliantly tells the story of the man to give us an astonishing portrait of the artist and a vivid evocation of Britain and Europe in flux.
Demonstrating ongoing radicalism of technique and ever-original subject matter, these works show Turner constantly challenging his contemporaries while remaining keenly aware of the market for his art.
A beautifully produced book showcasing Turner’s depictions of the sea, published to coincide with a major exhibition This is the first publication to focus on J. M. W. Turner’s lifelong fascination with the sea, from his Royal Academy ...
Alternating between nineteenth-century England and present-day New York, this is the story of renowned British painter J. M. W. Turner and his circle of patrons and lovers.
In this study, Sam Smiles shows how a richer account of Turner's achievement can be presented once his historical circumstances are given proper attention.
J.M.W. Turner was a fascinating and enigmatic figure. Both astonishingly prolific and extraordinarily innovative, he is widely seen as the greatest British landscape painter of them all, anticipating and surpassing...
Packed with invaluable information, from the materials Turner used to achieve the masterpieces we know and love today, to the modern materials the twenty-first-century watercolour artist will need.Backed by the authority of Tate, the world ...
Bringing together the symphony of colors that composed Turner's view of Switzerland's awe-inspiring landscapes, this book sheds new light on the artist's vision of the Alps and the sea.
Graham Reynolds weaves together the artists biography with sensitive criticism of his work, through all phases of his career, in this classic work first published in 1969 that has long served as an outstanding introduction to Turners life ...
Our culture is kind of turned upside down right now, but rituals still glue us together. PETAH COYNE, UNTITLED #875 (BLACK ATLANTA), 1997 ← OUTER ROBE (UCHIKAKE) WITH MOUNT HŌRAI, SECOND → HALF OF THE 18 TH CENTURY–FIRST HALF OF THE ...