Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.
These essays, however, transcend the traditional period labels of “Renaissance” and “Baroque” by addressing works from Duccio and Chaucer to Velazquez and Newton as a single continuum, inclusive in terms of both disciplinary and ...
Van Jijk, Stephen J.P. and Joan hazelden Walker. The Origins of the Modern Roman Liturgy: The Liturgy of the Papal Court and the Franciscan Order in the Thirteenth Century. Westminster, MD: Newman Press, 1960. Van Marle, Raimond.
Why are women artists of the Italian Renaissance and Baroque so relatively unknown today when, during their lifetimes, their artistic merits were celebrated by their foremost contemporaries? Italian Women Artists...
From Renaissance to Baroque: Essays on Literature and Art
Lavishly illustrated, Art and Music in Venice brings Venice's golden age to life through stunning images of paintings, drawings, prints, manuscripts, textbooks, illuminated choir books, musical scores and instruments, and period costumes.
(Vocal Collection). An excellent collection of 34 songs, especially useful in teaching students. This collection is a good alternative or companion to the standard Baroque Italian songs and arias. Now...
Revision, 2007, in French and English for the website picasso.fr (no longer available). “Adams Verbrechen. ... “Who's Who in Michelangelo's Creation of Adam: A Chronology of the Picture's Reluctant Self- Revelation.
Between Renaissance and Baroque is a stunning achievement - the first book to be written about the original painting commissions of the Jesuits in Rome. Offering a uniquely comprehensive and...
The Green Vault is the most magnificent treasure chamber museum in Europe Home to the Dresden Green Diamond, the Green Vault houses more than 120 precious objects, most of them...
This volume considers pictured and picturing women in Renaissance and Baroque Italy as the subjects, creators, patrons, and viewers of art.