Although war is a heterogeneous assemblage of the human and nonhuman, it nevertheless builds the illusion of human autonomy and singularity. Focusing on war and ecology, a neglected topic in early modern ecocriticism, Bestial Oblivion: War, Humanism, and Ecology in Early Modern England shows how warfare unsettles ideas of the human, yet ultimately contributes to, and is then perpetuated by, anthropocentrism. Bertram’s study of early modern warfare’s impact on human-animal and human-technology relationships draws upon posthumanist theory, animal studies, and the new materialisms, focusing on responses to the Anglo–Spanish War, the Italian Wars, the Wars of Religion, the colonization of Ireland, and Jacobean “peace.” The monograph examines a wide range of texts—essays, drama, military treatises, paintings, poetry, engravings, war reports, travel narratives—and authors—Erasmus, Machiavelli, Digges, Shakespeare, Marlowe, Coryate, Bacon— to show how an intricate web of perpetual war altered the perception of the physical environment as well as the ideologies and practices establishing what it meant to be human.
own well justified and passionate revenge," enable Hamlet "to take the revenge action justified by the Mousetrap play."16 Thus Charney perceives Hamlet's intellect as an inhibitor of the passion essential to action.
In this bold reading, Walter N. King brings twentiethcentury Christian existentialism and post-Freudian psychological theory to bear upon Hamlet and his famous problems.
... Studies in Philology 76 : 127-48 . 11 . -- . 1985. The Subject of Tragedy : Identity and Difference in Renaissance ... Shakespeare Survey 50 : 57-64 . Bevan , Edwyn . 1938. Symbolism and Belief . London : Allen & Unwin . Boethius . 1962 ...
... Bestial oblivion or some craven scruple Of thinking too precisely on th'event— A thought which , quarter'd , hath but one part wisdom And ever three parts coward — I do not know Why yet I live to say ' This thing's to do ' . ( IV.iv.39 ...
A scholarly examination of the plot and dramatic technique of Shakespeare's most controversial play
First published in 1952. This volume explores the function of verse in drama and the developing way in which Shakespeare controlled the rhetorical and decorative elements of speech for the dramatic purpose.
... bestial oblivion'; and the thing against which he inveighs in the greater part of that soliloquy (IV. iv.) is not the excess or the misuse of reason (which for him here and always is god-like), but this bestial oblivion or 'dullness ...
Mack, Maynard. “King Lear” in Our Time. Berkeley and Los Angeles: Univ. of California Press, 1965. Mack, in a brief but influential study, considers King Lear's stage history, its literary and imaginative sources, and its modernity.
... Bestial oblivion, or some craven scruple Of thinking too precisely on the event— A thought which, quartered, hath but one part wisdom And ever three parts coward—I do not know Why yet I live to say “This thing's to do,” Sith I have ...
... bestial leads to a self - enjoinder not to act but to think ; presumably Hamlet only happened on this theme through ... oblivion , or some craven scruple Of thinking too precisely on th'eventA thought which , quarter'd , hath but one ...