This study commences with a simple question: how did Russia matter to England in the age of William Shakespeare? In order to answer the question, the author studies stories of Lapland survival, diplomatic envoys, merchant transactions, and plays for the public theaters of London. At the heart of every chapter, Shakespeare and his contemporaries are seen questioning the status of writing in English, what it can and cannot accomplish under the influence of humanism, capitalism, and early modern science. The phrase 'Writing Russia' stands for the way these English writers attempted to advance themselves by conjuring up versions of Russian life. Each man wrote out of a joint-stock arrangement, and each man's relative success and failure tells us much about the way Russia mattered to England.
However, according to Keldysh in IRM 1:199 and IRM 2:56 and 280 (musical example 9), the text of the piece Shliapkin assigns to the Esther play matches that of a work written in 1724 for the coronation of Catherine I, and indeed the ...
35 This discussion is drawn from Kevin Curran, Shakespeare's Legal Ecologies: Law and Distributed Selfhood (Evanston, IL: Northwestern University Press, 2017), 131–4. CHAPTER 15 GREEN COMEDY SHAKESPEARE AND ECOLOGY STEVE MENTZ COMEDIES.
In Shakespeare's Loves Labours Lost, the king and a small entourage appear disguised as Russians, ... 32 (2015) http://shakespeare.revues.org/3158; David W. Palmer, Writing Russia in the Age of Shakespeare (Aldershot, 2004), ch. 3.
But, while portions of the field 'congeal into bodies' (or onstage, into characters), these are never the sole source of agency: '[t]he source of ... Mentz, Stephen, At the Bottom of Shakespeare's Ocean (London: Continuum, 2009).
he title page to the 1603 Quarto of William Shakespeare's Hamlet (Q1) advertises that the play has been “acted . . . in the Cittie of London.”1 Andrew Gurr has recently suggested that City playing was forbidden in 1594; ...
Only in 1937, when reading widely about TolstoyГs private life, did she extend her attention to ... 45 Brenda R. Silver, Virginia Woolf's Reading Notebooks (Princeton: Princeton UP, 1983), p. 149. Letters, I, p. 380, quoted in Silver, ...
Since the first diplomatic contacts with Western courts at the beginning of the early modern period, Russia had been the object of curiosity and ... See also D. W. Palmer, Writing Russia in the age of Shakespeare (Aldershot, 2004).
Palmer, Daryl W. Writing Russia in the Age of Shakespeare, Aldershot, Ashgate, 2004. Parker, Patricia. 'Black Hamlet: Battening on the Moor', Shakespeare Studies, vol. 31 (2003), 127–64. Partridge, Eric. Shakespeare's Bawdy, with a ...
Readers should remember that it was written in haste some decades after the events described, and that Horsey still, ... but much of the evidence has been 107 Daryl W. Palmer, Writing Russia in the Age of Shakespeare (Aldershot, ...
172 – 73, and Sarah Dewar-Watson, “The Alcestis and the Statue Scene in The Winter's Tale,” Shakespeare Quarterly 60, no. 1 (Spring 2009), pp. ... Writing Russia in the Age of Shakespeare (Aldershot, UK: Ashgate, 2004), pp. 84 and 105.