Five of the best plays from the first decade of the twenty-first century produced by the Royal Court Theatre, London. Royal Court Plays 2000-2010 is an essential anthology for anyone interested in the best work from the most important new writing theatre produced during the last decade. Under the Blue Sky by David Eldridge is a touching and comic play about love, war and teaching. Produced in 2000 it was revived on the West End in 2008 and has become a turn-of-the-century classic. Roy Williams' play Fallout was written in response to the killing of Damilola Taylor and the McPherson report into racism in the Metropolitan Police and is an essential play exploring how black teenagers are drawn into violence and mutual mistrust. Motortown is about the 'war on terror' and the war in Iraq. Described as 'an instant modern classic, the first major anti-anti-war play of this era' (What's on Stage) Simon Stephens' play examines the effects of the war on individuals. Mike Bartlett emerged as one of the most exciting young writers of recent times when his play My Child premiered in 2007. A play about fatherhood, broken families and what it means to be a good parent, it was heaped with praise: 'Brutal, thrilling… unmissable' (Evening Standard). The final play, Enron, is an epic satire about the notorious rise and fall of Enron and its founding partners, written by Lucy Prebble. A huge hit and acclaimed by critics and audiences alike, the play transferred to the West End in 2010 and opened on Broadway that same year.
Also available from Methuen Drama: The Methuen Drama Anthology of Irish Plays The Methuen Drama Book of Naturalist Plays The Methuen Drama Book of New American Plays The Methuen Drama Book of Plays by Black British Writers The Methuen ...
This anthology presents six of the best new plays by some of the most exciting American playwrights whose work is currently gaining acclaim.
... I love you I love Pierre and Marie Curie I love Karl and Jenny Marx I love Sergei Yesenin and Isadora Duncan I love Xu Zhimo and Lu Xiaoman54 I love Wang Gui and Li Xiangxiang55 I love Guo Jing and Huang Rong56 I love Ingrid Bergman ...
Inez McCormick, Northern Ireland interviewed by Carol K. Mack. Mukhtar Mai, Pakistan interviewed by Susan Yankowitz. Mu Sochua, Cambodia interviewed by Catherine Filloux. Marina Pisklakova-Parker, Russia interviewed by Paula Cizmar.
Subject Positions in British Drama Ariane de Waal. Spencer, Jenny. ... “Breaching the Body's Boundaries: Abjected Subject Positions in Postcolonial Drama. ... Revolting Subjects: Social Abjection and Resistance in Neoliberal Britain.
Theatre Uncut emerged as an angry response to George Osborne's austerity budget announced in 2010. Theatre Uncut's name directly aligns them with grassroots activism by groups such as UK Uncut and Sisters Uncut both committed to ...
... Finance, Terror, and Science on Stage: Current Public Concerns in 21st-century British Drama, edited by Kerstin Frank and Caroline Lusin, 145–165. Tübingen: Narr Francke Attempto. → Schwanecke, Christine. 2017b. “Mobile People, Weapons ...
She is currently a researcher on the AHRC-funded project Amateur Dramatics: Crafting Communities in Time and Space and is writing a monograph on British theatre and social abjection. Marie Kelly lectures in Drama and Theatre Studies at ...
The perfect companion to British theatre from 2000-2010, this book examines the current theatre scene and explores the key concerns being addressed by playwrights who have gained acclaim in the last ten years.
... on the Roof and Nicholas Nickleby (Stockholm), A Little Shop of Horrors (Estonia). She has been associated with the award winning Talawa Theatre Company where she designed several productions and her designs for King Lear are are ...