'Post-black' refers to an emerging trend within black arts to find new and multiple expressions of blackness, unburdened by the social and cultural expectations of blackness of the past and moving beyond the conventional binary of black and white. Reflecting this multiplicity of perspectives, the plays in this collection explode the traditional ways of representing black families on the American stage, and create new means to consider the interplay of race, with questions of class, gender, and sexuality. They engage and critique current definitions of black and African-American identity, as well as previous limitations placed on what constitutes blackness and black theatre. Written by the emerging stars of American theatre such as Eisa Davis and Marcus Gardley, the plays explore themes as varied as family and individuality, alienation and gentrification, and reconciliation and belonging. They demonstrate a wide-range of formal and structural innovations for the American theatre, and reflect the important ways in which contemporary playwrights are expanding the American dramatic canon with new and diverse means of representation. Edited by two leading US scholars in black drama, Harry J. Elam Jr (Stanford) and Douglas A. Jones Jr (Princeton), this cutting edge anthology gathers together some of the most exciting new American plays, selected by a rigorous academic backbone and explored in depth by supporting critical material.
This anthology presents six of the best new plays by some of the most exciting American playwrights whose work is currently gaining acclaim.
The Methuen Drama Book of Plays by Black British Writers provides an essential anthology of six of the key plays that have shaped the trajectory of British black theatre from the late-1970s to the present day.
Du Bois, Angelina Grimke, Zora Neale Hurston, Langston Hughes, Richard Wright, and James Baldwin.
This edition features an introduction by Professor Ayanna Thompson, Columbian College of Arts and Sciences.
But his family suspects there's more to this healer than faith, virtue and snakeskin shoes. This programme text was published to coincides with the world premiere at the Tricycle Theatre, London, which opened on 8 October 2015.
Five outstanding plays from the British theatre of the 1960s.This volume contains major works by five of the most important playwrights ot emerge during the late fifties and early sixties....
A valuable contribution to African American literary and theatrical scholarship, this volume is a compilation of sixteen plays written during the Harlem Renaissance, brought together for the first time and set in a historical context.
Also available from Methuen Drama: The Methuen Drama Anthology of Irish Plays The Methuen Drama Book of Naturalist Plays The Methuen Drama Book of New American Plays The Methuen Drama Book of Plays by Black British Writers The Methuen ...
These plays represent the finest works developed by the Public Theater, addressing contemporary social preoccupations: race, class, heritage, economic hardship, family values and identity.
... I love you I love Pierre and Marie Curie I love Karl and Jenny Marx I love Sergei Yesenin and Isadora Duncan I love Xu Zhimo and Lu Xiaoman54 I love Wang Gui and Li Xiangxiang55 I love Guo Jing and Huang Rong56 I love Ingrid Bergman ...