Containing Coward's best work from the last two decades of his life, this volume includes Relative Values, which ran for over a year in 1951-2, Look After Lulu (1959), his perennially popular Feydeau adaptation, Waiting in the Wings (1960), a bravura piece set in a home for retired actresses, and Suite in Three Keys (1965), a trilogy of plays which gave Coward his last roles on stage. The volume is introduced by Sheridan Morley, Coward's first biographer, and includes an extensive chronology of Coward's work.
The eighth volume in the Coward Collection includes I'llLeave It To You and The Young Idea, the first of Coward's plays ever tobe produced. These were, as he said, "enthusiastically...
'The actual facts are so simple. I love you. You love me. You love Otto. I love Otto. Otto loves you. Otto loves me. There now! Start to unravel from there.' Design for Living is a wickedly witty dark romantic comedy by Noel Coward.
The love and friendship between two married couples and best friends are put to the test when a postcard arrives with a picture of Capri on one side, and on the other, news of the imminent arrival of a certain handsome Frenchman.
The book Noël Coward wanted, promised, threatened to write—and never did.
Coward's 'forgotten' play, published to tie in with its world premiere.In his wickedly funny final play, NöeI Coward takes us behind the scenes of a new West End production. Conjuring...
Characters: 6 male, 5 female Interior Set One of the Tonight at 8:30 series, a success in London and New York.
All ten plays are collected together into this volume that features both Coward's own preface and an introduction by Barry Day, editor of The Letters of Nöel Coward.
" A phenomenon he certainly was, and it is part of John Lahr's purpose in this book to show how that phenomenon called "Noël Coward" was largely Coward's own careful creation.
The lofty Countess of Marshwood's son Nigel brings home a Hollywood starlet in this satire of the British post-war classes.
GEORGE: Don't you think I could ever do anything with my voice? LILY: Well, it might be useful in case of fire! GeoRGE: Oi! Skip it. Lily: Who was that lady I saw you walking down the street with the other morning? GEORGE: That wasn't a ...