Britain, the Empire, and the World at the Great Exhibition is the first book to situate the Crystal Palace Exhibition of 1851 in a truly global context. Addressing national, imperial, and international themes, this collection of essays considers the significance of the Exhibition both for its British hosts and their relationships to the wider world, and for participants from around the globe. How did the Exhibition connect London, England, important British colonies, and significant participating nation-states including Russia, Greece, Germany and the Ottoman Empire? How might we think about the exhibits, visitors and organizers in light of what the Exhibition suggested about Britain’s place in the global community? Contributors from various academic disciplines answer these and other questions by focusing on the many exhibits, publications, visitors and organizers in Britain and elsewhere. The essays expand our understanding of the meanings, roles and legacies of the Great Exhibition for British society and the wider world, as well as the ways that this pivotal event shaped Britain’s and other participating nations’ conceptions of and locations within the wider nineteenth-century world.
"The book challenges the common view that the Exhibition symbolized peace, progress, prosperity, and the emergence of an industrial middle class.
Britain, the Empire, and the World at the Great Exhibition of 1851
The author explores how the exhibition came into being; the key characters who made it happen; and the fascinating tales behind the exhibits.
Black links cultural and political developments closely - transport, health, migration and economic and demographic factors - in order to make clear how porous and changeable the manifestations of national civilisation can be, and to make ...
Essay from the year 2018 in the subject History of Europe - Modern Times, Absolutism, Industrialization, grade: 1,7, University of Sussex (School of History, Philosophy and Art History), language: English, abstract: On the 1st of May in ...
The exhibitions of the Victorian and Edwardian eras are the lens through which this book examines the economic, cultural, and social forces that helped define Britain and the Empire.
For the cinema, James Chapman and Nicholas J. Cull's Projecting Empire: Imperialism and Popular Cinema (London: I.B. Tauris, 2009) is a notable addition to the literature. 2 See, for example, John M. MacKenzie (ed.) ...
What was the Great Exhibition and what did it mean? Readers of The Great Exhibition, 1851: A Sourcebook will take great pleasure in finding out. The Great Exhibition, 1851: A Sourcebook is the first anthology of its kind.
This book incorporates comparative work on European and American empire-building, with the chronological focus primarily on the nineteenth and twentieth centuries, when these cultural exchanges were most powerfully at work.
Consumer Culture in Dreiser , Gissing and Zola ( New York and London : Methuen , 1985 ) ; R. R. Brettel , Modern Art 1851-1929 ( Oxford : Oxford University Press , 1999 ) ; A. Briggs , Victorian People . A Reassessment of Persons and ...