Museum Bodies provides an account of how museums have staged, prescribed and accommodated a repertoire of bodily practices, from their emergence in the eighteenth century to the present day. As long as museums have existed, their visitors have been scrutinised, both formally and informally, and their behaviour calibrated as a register of cognitive receptivity and cultural competence. Yet there has been little sustained theoretical or practical attention given to the visitors' embodied encounter with the museum. In Museum Bodies Helen Rees Leahy discusses the politics and practice of visitor studies, and the differentiation and exclusion of certain bodies on the basis of, for example, age, gender, educational attainment, ethnicity and disability. At a time when museums are more than ever concerned with size, demographic mix and the diversity of their audiences, as well as with the ways in which visitors engage with and respond to institutional space and content, this wide-ranging study of visitors' embodied experience of the museum is long overdue.
From sculpting ocular prostheses to crowdsourcing affordable 3-D printed hands, this book surveys the past, present, and future of prosthetic design on a global scale.
... reproduced courtesy Christine Borland and Fabric Workshop & Museum, Philadelphia: 8; Gemäldegalerie Alte Meister, Kassel/© Museumslandschaft Hessen Kassel/Arno Hensmanns: 55; photo Getty Images: 5; photos Elizabeth Hallam: 3, 4, 11, ...
A professor in Denmark and a grandmother in England begin a correspondence, and a friendship, that develops into something extraordinary.
Extreme Beauty incorporates striking examples from the past and present, from Africa, America, China, Europe, Japan, and Southeast Asia to portray many of the specific ways this has happened.
Unfolding like a medieval pageant, and filled with saints, soldiers, caliphs, queens, monks and monstrous beasts, this book throws light on the medieval body from head to toe—revealing the surprisingly sophisticated medical knowledge of ...
Here Yoshikuni Igarashi offers a provocative look at how Japanese postwar society struggled to understand its war loss and the resulting national trauma, even as forces within the society sought to suppress these memories.
A Traffic of Dead Bodies enters the sphere of bodysnatching medical students, dissection-room pranks, and anatomical fantasy.
Longlisted for the 2018 National Book Award in Poetry Winner of the National Poetry Series Competition, selected by Cornelius Eady--an exploration in verse of imperial appropriation and Mexican American cultural identity "Marvelous, ...
This book explores how physical anthropologists struggled to understand variation in bodies and cultures in the twentieth century, how they represented race to professional and lay publics, and how their efforts contributed to an American ...
General Conference Katherine J. Goodnow, Unesco, Museum of London ... They belong to us not as curiosities – skeletons to be strung up and gawped at , bodies to be embalmed and spotlit – but as representations of what it means to be ...