This book is about acting. It's about money. It's about people who love the arts. It's about performing arts and how to make them happen in high school--how to make them affordable by selecting great scripts to attract paying audiences. The sale of tickets provides the revenue to pay all costs of play production, with a profit margin to boot. The book provides practical suggestions for budgeting, cost control, play selection, auditions, casting, rehearsing, planning, discipline, and performance. The book exudes the joy that accompanies working with artistic young people who are intent on excellence. It communicates the director's personal philosophy of allowing actors to begin a play by creating their own character development which can be shaped by the director over time. It promotes the concept that the students, not the directors, do the work. The students study the play, rehearse the play, and perform the play with guidance from the director, but without excessive direction. The director, for example, allows students to do the stage management, the lighting design and operation, and the sound effects. The director does not go back stage at all during rehearsals or performances, leaving students to solve their own problems and to make the production happen without adult assistance. The result is serious student responsibility and determination. The result is team work and cooperation. Ideas for publicity are provided in the text, as well as suggestions for play selections, planning arrangements, budgets for various plays, and ideas for acting and directing. The director's philosophy is revealed, including persuasive arguments for the great value derived from participation in performance activities. The book is a manual for creating and maintaining a drama program which brings out the best in the actors, stage hands, and technical workers. It makes an argument that there is no need to curtail or eliminate drama, dance, music, and other performing arts when finances grow tight, because these programs can pay for themselves if quality shows are performed for a public that is willing to pay for good perfomances. For Love of Drama makes a passionate plea for the establishment of artistic programs in the schools which allow students to inspire their minds, develop their skills, and enjoy working with other talented young people in creating excellent performances. Go ahead, treat yourself to a little love for the arts by reading this lively book. It is accompanied by 94 dramatic stage photos taken during rehearsals, revealing quality acting, costuming, and set design. It's a wonderful manual filled with practical ideas on how to keep a performing arts program thriving for the sake of gifted young people.
It was first published as a one-act play and is published in this new edition as a two-act play"--About the play.
Commissioning New Work: A Good Practice Guide for Amateur Theatre Companies and Playwrights
In revealing his career and family life, this book offers a glimpse of rural journalism and the social and creative life of rural communities in the first half of the 20th century.
Outlines the history of drama and aspects of dramatic interpretation and production.
A wonderful, heartwarming and funny Christmas novel from Chrissie Manby, perfect for curling up with in front of the fire. What could be more magical at Christmas than a fairy tale come true?
This work begins to confront oppressive narratives and disrupt patriarchal systems--including white supremacy, racism, sexism, and homophobia.
Follows the adventures of Pooh, Rabbit, Piglet, Tigger, and Gopher as Rabbit hides a treasure chest full of rocks after the others dig up his garden while playing pirates.
The book traces the group from its founding in 1933, chronicling its shows, reviews, and community activities through its most prominent years as part of Chicago's Old Town community"--Www.amazon.com
Improvisation for the Theater: A Handbook of Teaching and Directing Techniques
Nobody Here But Us Chickens and The Grey Angel