The recording studio, she argues, is at the center of musical culture in the twentieth century.
Milner, Perfecting Sound Forever, 37. 21. Schmidt Horning, Chasing Sound, 80. 22. Ibid., 92. 23. Thompson, The Soundscape of Modernity, 282. 24. Schmidt Horning, Chasing Sound, 93. 25. Jim Cogan and William Clark, Temples of Sound: ...
See his “Divide and Conquer.” 29 Horning, “Chasing Sound.” 30 Schmidt Horning, Chasing Sound, 30. 31 Morton, Sound Recording and Off the Record. 32 Morton, Off the Record, 21. 33 Katz, Capturing Sound, 38. 34 Katz, “Introduction,” 25 ...
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Susan Schmidt Horning, Chasing Sound: Technology, Culture, and the Art of Studio Recording from Edison to the LP (Baltimore: Johns Hopkins University Press, 2013), 13. 48. Horning, Chasing Sound, 14. 49. One historian claims that “very ...
Chasing Sound: The Culture and Technology of Recording Studios in Postwar America Susan Schmidt Horning After World War Two, developments in audio engineering and sound recording, coupled with the rapid growth of the music industry ...
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In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars.
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From Les Paul to Phil Spector to King Tubby, from vinyl to pirated CDs to iPods, Milner's Perfecting Sound Forever pulls apart musical history to answer a crucial question: Should a recording document reality as faithfully as possible, or ...
Cs Co ma тз CA Zn Ca mo Tz TE C1 Electromechanical analogies of Joseph Maxfield and Henry Harrison , 1926. Realizing that similar types of mathematical equations represent the behavior of both mechanical acoustical systems ( like the ...