Dressing Modern Frenchwomen draws from thousands of magazine covers, advertisements, fashion columns, and features to uncover and untangle the fascinating relationships among the fashion industry, the development of modern marketing techniques, and the evolution of the modern woman as active, mobile, and liberated.
Dressing Modern Frenchwomen: Marketing Haute Couture, 1919-1939
As Paris-based style-coach Aloïs Guinut explores in this invaluable book, French women have a lot to teach us about how to cherish the planet without sacrificing your style: - Know what works for you. - Buy less and buy better.
A top fashion journalist reveals the secrets of French style and shows how American women can make French chic, allure, and confidence a part of their own style.
Accompanied by Megan’s exquisite illustrations of current and archival collections, Elegance: The Beauty of French Fashion tells the story of how France’s iconic fashion houses have influenced the very fabric of design.
Lest anyone still wonder: here is a new compendium of reasons – both traditional and modern – why French women don’t get fat.
... Adored: Raël's uFO Religion (Rutgers, 2004); Millennium, Messiahs and Mayhem (Routledge, 1998, with Thomas Robbins); and Storming Zion: Government Raids on Religious Communities (Oxford university Press 2016, with stuart Wright).
This book introduces and explores the concept of Belle Epoque literary feminism, a product of the elite milieu from which the magazines emerged.
Stewart, M. L. (2008), Dressing Modern Frenchwomen: Marketing Haute Couture, 1919–1939, Baltimore: Johns Hopkins University Press. Taylor, L. (2002), The Study of Dress History, Manchester: Manchester University Press.
Growing up, Jamie Cat Callan had a French grand-mère to instruct her on style, grooming, and genuinely liking her reflection in the mirror.
Georges, the prime mover for the initiative, recruited two journalist friends of his, Marius Larique and Marcel Mon- tarron, between horse races at the Saint-Cloud track where he was gambling away most of Gallimard's start-up money.