From the author of the international bestseller What I Loved, a provocative collection of autobiographical and critical essays about writing and writers. Whether her subject is growing up in Minnesota, cross-dressing, or the novel, Hustvedt's nonfiction, like her fiction, defies easy categorization, elegantly combining intellect, emotion, wit, and passion. With a light touch and consummate clarity, she undresses the cultural prejudices that veil both literature and life and explores the multiple personalities that inevitably inhabit a writer's mind. Is it possible for a woman in the twentieth century to endorse the corset, and at the same time approach with authority what it is like to be a man? Hustvedt does. Writing with rigorous honesty about her own divided self, and how this has shaped her as a writer, she also approaches the works of others--Fitzgerald, Dickens, and Henry James--with revelatory insight, and a practitioner's understanding of their art.
Essays that explore what it means to be a human being draw upon the author's personal experiences; thoughts on memory, emotion, and the imagination; and the visual arts.
The Sorrows of an American tells the story of the Davidsen family as brother a
A powerful and heartbreaking novel that chronicles the epic story of two families, two sons, and two marriages Siri Hustvedt's What I Loved begins in New York in 1975, when art historian Leo Hertzberg discovers an extraordinary painting by ...
As Iris Vegan, a confused young graduate student from the Midwest, struggles to define herself, she becomes fascinated with four New York City characters--a photographer, an urban recluse, an old woman, and a professor--who try to alter the ...
Six essays explore the relationship between painting and reality, memory and place, and literature and life
Ranging across artistic mothers such as Jane Austen and Louise Bourgeois, psychoanalysis, science, literature and ethnography, this is a polymath's journey into urgent questions about familial love and hate, human prejudice and cruelty, and ...
... liked the way he looked when hewas listening. “Sometimes I wish my parents hadn't moved,” she said to him. “My Dad got a rare and bad cancer inhisleg. They saved theleg, butit's nogood. Hewas a great carpenter. Everybody knew it.
The six pieces in Yonder, Hustvedt's first book of essays, are all meditations on the complex relationship between art and the world.
Bill hired two more assistants , a whistling carpenter named Damion Dapino to help build the doors and a gloomy young woman named Mercy Banks to answer his mail . Bill regularly turned down invitations to teach , discuss , lecture , or ...
In this book, Hustvedt gives us nine essays on the significance of particular works of art, replete with original insights and a few startling discoveries.