Parody: The Art That Plays with Art explodes the near-universal belief that parody is a copycat genre or that it consists of a collection of trivial and derivative forms. Parody is revealed as an über-technique, a principal source of innovation and invention in the arts. The technique is defined in terms of three major variations that bang, bind, and blend artistic conventions into contrasting pairings, the results of which are upheavals of existing conventions and the formation of unexpected and sometimes startling and revolutionary new configurations. Parodic art fashions a galaxy of contrasts, and from these stem an illusionistic sense of multiplicity and an array of divergent meanings and interpretive paths. This book, an extreme departure from existing analyses of parody, is nonetheless highly accessible and will be of major interest not only to scholars but to general readers and to professional writers as well. Parody: The Art That Plays with Art is particularly suited for readers interested in modernism, postmodernism, meta-art, criticism, satire, and irony.
Looking at works as diverse as Tom Stoppard's Rosenkrantz and Guildenstern Are Dead, Brian de Palma's Dressed to Kill, Woody Allen's Zelig, Karlheinz Stockhausen's Hymnen, James Joyce's Ulysses, and Magritte's This Is Not a Pipe, Hutcheon ...
A parody in the style of Where the Mild Things Are features a disgruntled tree that is fed up with a boy who cuts off her branches to build a house which he subsequently burns down for the insurance money.
Presents a humorous spoof on the novel "The Hobbit," in which Aaron Sorkinshield and his band of Little People embark on a quest to retrieve a hoard of Academy Awards stolen by Puff the Magic Dragon.
In this parody of the popular Twilight series, gawky, vampire-obsessed Belle determines that computer nerd Edwart is not only her soul mate, but also a vampire, and sets out to find a way to get him to bite her so they can spend eternity ...
Presents a humorous spoof on the novel "The Hunger Games," which follows the efforts of a young girl who is roped into a survival contest in order to save her community in a dystopian, post-apocalyptic world.
1969 Take the Money and Run (85 minutes) Director: Woody Allen. Screenplay: Allen and Mickey Rose. Star: Allen. 1969 Butch Cassidy and the Sundance Kid (112 minutes) Director: George Roy Hill. Screenplay: William Goldman.
This board book parodies children’s finger puppet books with its bold colors and simple illustrations, but this book is not for children!
Satire and parody existed long before modern times. Readers will get an invaluable overview of how to identify satire and parody and how to think critically about current events.
A beloved classic gets a kindhearted send up through energetic artwork and hilarious text in an entertaining parody in which a young monster says goodnight to all of the other monsters in his bedroom.
This scientific parody book in the style of Goodnight Moon is a delight for little lab girls and guys. Goodnight Lab is written by Chris Ferrie, author of Quantum Physics for Babies and other books in the Baby University series.